It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 18, 2013, 02:41 PM
http://www.audiomicro.com/royalty-free-music-blog/...
With after effects, it’s common for people to get over complicated with a whole army of different effects and presets to choose from; but I find that it’s always best to keep things simple and organized for the best results. In this article, I’ll be showing you how to take a simple solid color, and bring it to life.
#after effectsJanuary 17, 2013, 08:11 PM
http://elainemontoya.me/2013/01/17/happy-20th-birt...
Happy Birthday After Effects! It’s hard to believe it’s been 20 years. While I didn’t know you from birth, you came into my life when you were a couple of years old – just before your new family at Adobe adopted you. Not unlike a toddler in their terrible two’s my first experience with you was a bit overwhelming. Let me explain. My background was graphic design. You were my first move into the world of motion graphics. And for that, I am forever grateful. But I must admit, it took a bi...
#adobe#after effects#aeJanuary 17, 2013, 05:01 PM
http://prolost.com/blog/2013/1/17/race-around-the-...
Adobe After Effects is celebrating its 20 year anniversary. I’ve only been using it for 17 of those years, but I’m pretty sure I’ve packed about 100 years of use into that time.
#adobe#after effects#aeJanuary 17, 2013, 07:43 AM
http://provideocoalition.com/ryoung/story/ae-at-20
Adobe is celebrating the 20th year of After Effects.
#adobe#after effects#aeJanuary 16, 2013, 03:19 PM
http://filmmakeriq.com/2013/01/how-to-create-a-gho...
Want to learn a quick, easy way to make a ghost for your horror/suspense video? On this episode of “5 Minute FX” we find out a great way to have you ghost float down a hallway using garbage matteing and keying, animating the ghost floating, and designing your shot to look like a transparent ghost using rotoscoping and the twitch effect.
#adobe#vfx#after effects#ae#ghost#affectsJanuary 14, 2013, 08:33 PM
http://cineblur.com/are-project-templates-ok-to-us...
Many times, especially if you work in the church production world like I do, you are faced with very tight deadlines and have to come up with something stunning with a very small crew. How do you accomplish this without spending your entire week slaving over one small project? Simple, use a project template.
#fcpx#adobe#after effects#ae#final cut pro#project#templatesJanuary 14, 2013, 02:47 PM
http://feedproxy.google.com/~r/industryhappenings/...
3-day intensive Post Production (with After Effects) training course. Day 1: 9am to 10am: registration and introductions 10am to 3pm (with a on-hour lunch break, and 10-minute in-between breaks): - Concepts, storyboarding, workflow, and general intro to the concept of post production with AE. - Story telling with AE - Navigation, keyframe, and basic interface [...]
#adobe#course#after effects#intensiveJanuary 13, 2013, 08:00 PM
http://provideocoalition.com/cmg_keyframes/story/a...
Does it drive you crazy to see somebody use something the wrong way, then declare it doesn’t work? That’s how I feel about the Roto Brush tool introduced in After Effects CS5. This semi-automated tool helps you separate the foreground (i.e. an actor) from a complex background (i.e. not greenscreen) - “all” you have to do is make a couple quick brush strokes defining where those areas are. Well, not exactly.
#adobe#after effects#ae#premiere pro#cs5January 13, 2013, 04:23 PM
http://feedproxy.google.com/~r/industryhappenings/...
Advanced Study of Adobe After Effects – $995 This two-day advanced class will help you achieve better results from this comprehensive application. Building on concepts from After Effects Level 1 and Level 2 classes, this course covers all about alphas (straight vs. pre-multiplied alphas, working with Photoshop and Illustrator and vector paint) and advanced formatting and [...]
#adobe#after effects#aeJanuary 12, 2013, 02:13 PM
http://blogs.adobe.com/jnack/2013/01/is-is-real-or...
That’s what I found myself wondering as I watched Supralude‘s That Night In Williamsburg. He won’t spill many beans, but what do you think? Were those lights added in post, and how can you tell one way or the other?
#adobe#after effectsDaniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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