It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
November 14, 2012, 09:05 PM
http://avidassteditor.com/2012/11/14/how-do-i-dele...
Autosequence automatically takes clips and puts them into a sequence at the timecode associated with the clips. Removing the black (filler) from the sequence would move the clips from their correct timecodes. A better solution might be to select all of the clips in the bin and drag them to the timeline window. In this...
#avid#media composer#mc6#autosequenceNovember 14, 2012, 08:48 PM
http://broadcastengineering.com/fxfactory-40-visua...
Boston, MA – November 14, 2012 – Noise Industries, developer of visual effects tools for the post-production and broadcast markets, is pleased to announce FxFactory 4 is now available. The latest update to Noise Industries’ visual effects plugin platform, FxFactory 4 now supports Adobe® Premiere® Pro CS6, in addition to Apple® Final Cut Pro®, Motion, and Adobe After Effects®.
#avid#fcpx#adobe#after effects#ae#motion#fxfactoryNovember 13, 2012, 10:10 PM
https://www.aotg.com/deliver-stories-as-they-happen/
This webcast provides unique insights into how you can create superlative stories from where they are happening and distribute them to more channels faster than ever before using Avid Interplay Sphere, Interplay Central, NewsCutter, and iNEWS.
#avid#mc6#mc#newscutter#inewsNovember 13, 2012, 10:09 PM
http://feedproxy.google.com/~r/industryhappenings/...
Join Avid Certified Master Instructor Jeff Greenberg as he demonstrates how to fix a variety of common post-production problems using Boris Continuum Complete in Avid Media Composer. AGENDA Removing Flicker and Fix Auto-Iris Camera Issues. Creating Top Notch Keys. Transform Dull Shots. Learning to solve a common problems that start to creep up in HD...
#avid#media composer#mc6#mcNovember 12, 2012, 01:35 PM
http://www.videoguys.com/Blog/E/Avid+Media+Compose...
With Media Composer 6.0, Avid transformed the inner workings of its flagship NLE software to harness the power of 64-bit architecture, making it significantly faster, more efficient and more stable than ever before...
#avid#media composer#mc6#mcNovember 12, 2012, 10:04 AM
https://www.aotg.com/avid-tips-egi/
Editor's Guild of Israel presents: Society member Yaron Birch, an evening full of improving efficiency and increasing the speed of work on Lost. (video is in Hebrew)
#avid#media composer#mc6#nle#mc#editor's guild#israel#tipsNovember 11, 2012, 02:28 PM
http://www.jaa-editing.com/blog/avid-editor.html
Coffee may work?
#avid#media composer#mc6#nle#mc#humour#humor#coffeeNovember 9, 2012, 01:04 PM
http://www.tvtechnology.com/article/avid-media-com...
With Media Composer 6.0, Avid transformed the inner workings of its flagship NLE software to harness the power of 64-bit architecture, making it significantly faster, more efficient and more stable than ever before.
#avid#media composer#mc6#nle#mc#media composer 6November 8, 2012, 08:07 PM
http://www.tvtechnology.com/article/red-giant-soft...
PluralEyes is a software application that automatically synchronizes multiple video cameras by matching their audio waveforms. It can be used for any type of multicamera shoot, and eliminates the need for cameras to be synced by timecode or slate. It's also ideal for shooting with a DSLR camera and capturing audio on a separate recorder. PluralEyes 2.0 is designed to work seamlessly with Avid Media Composer, Final Cut Pro X and 7, Adobe Premiere Pro, Sony Vegas and Edius editing platforms.
#editing#avid#sony#fcpx#edius#red giant#final cut pro#sony vegas#plural eyesNovember 8, 2012, 12:36 PM
http://feedproxy.google.com/~r/sibeliusblog/~3/QLe...
Sibelius 7 included new options for importing and using graphics directly in your score. These graphics can be placed anywhere in the music as benign objects, for which the color, rotation, size and even drawing order can be adjusted from right within Sibelius. This alone is terrific, but you can even make a graphic more...
#avid#sibelius#graphicsDaniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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