It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 21, 2013, 09:26 AM
http://library.creativecow.net/mcauliffe_kevin/Avi...
Advanced Marquee Techniques Part FOUR: In this lesson, Kevin P McAuliffe expands on his Title Roll lesson (Advanced Marquee Technique #3), and shows how you would go about integrating client logos into your title rolls and crawls. Again, this is a technique that is normally done outside of Media Composer or Symphony, but as this lesson shows, we can do it right here from within the timeline.
#avid#media composer#mc6#nleJanuary 21, 2013, 09:24 AM
http://library.creativecow.net/mcauliffe_kevin/Avi...
Advanced Marquee Techniques Part FIVE: In this lesson, Kevin P McAuliffe talks about applying textures to your text, he shows you why seamlessly tileable elements are the way to go, and even how to manipulate your textures, once they have been applied. Finally, he wraps things up by showing you how easy it is to apply textures to any element you have created inside of Marquee. If you've started creating 3D text inside of Marquee, this...
#avid#media composer#mc6#nleJanuary 20, 2013, 11:23 AM
http://www.allmediaproduction.net/2013/01/usijng-a...
You can use Apple's Windows ProRes codec to edit on Windows with Apple ProRes. You cannot export your Files to ProRes Windows. You can only read (edit) Prores on Windows. To get ProRes Codecs on Mac OS, for read (editing) and export of files, buy Motion from the Apple App Store. Avid's DNxHD codec is free for Windows and Mac OS and can read and write files on both.
#avid#dnxhd#nle#post#apple#proresJanuary 19, 2013, 10:57 AM
http://jonnyelwyn.co.uk/avid/avid-media-composer-t...
If you're looking to learn Avid Media Composer 6.5 then this hefty collection of tips, tricks and free video tutorials will help you get started.
#avid#media composer#tutorials#learning avidJanuary 18, 2013, 01:17 PM
http://feedproxy.google.com/~r/ericbrodeur/~3/jF-v...
There are a few ways of importing RED media into the Avid depending on your workflow and if the DIT is providing transcoded media. RED source files contain a lot of metadata which is useful during certain phases of post production. Because AAF and MXF media don’t retain this information once transcoded, an Avid Log...
#media#transcoding#avid#media composer#mc6#red#nle#r3d#aleJanuary 15, 2013, 02:55 PM
http://www.btlnews.com/news/west-post-digital-adds...
Santa Monica-based West Post Digital is now offering turnkey offline suites as part of its rental space within its 20,000 square foot building. The complement of gear includes Avid Media Composers, producer stations and Unity.
#avid#media composer#mc6#nleJanuary 14, 2013, 08:38 PM
http://library.creativecow.net/mcauliffe_kevin/Avi...
Advanced Marquee Techniques: Part ONE: In this lesson, Kevin P McAuliffe shows you how to take a complex looking scene, and create it very easily within the Marquee interface. This tutorial is normally something that can only be done in a compositing application, but with the power of Marquee...
#avid#media composer#mc6#nleJanuary 14, 2013, 08:37 PM
http://www.creativeplanetnetwork.com/the_wire/2013...
Santa Monica, CA, January 15, 2013 — West Post Digital, a leading online post production company based in Santa Monica, is now offering turnkey offline suites as part of its rental space within its 20,000 sq. ft. building. The complement of gear includes Avid Media Composers, Producer Stations, and Unity, all completely wired and readily accessible.
#avid#space#rentalJanuary 14, 2013, 08:36 PM
http://library.creativecow.net/hancock_michael/Avi...
This tutorial for Avid Media Composer/Symphony covers the basics of batch importing in Avid, and includes replacing a file with another file so it will auto-update across sequences, renaming clips in your bin then finding the original imported file name...
#avid#media composer#mc6#nleJanuary 14, 2013, 08:35 PM
http://magazine.creativecow.net/article/fcpx-on-ai...
Former skeptic John Davidson was right there with everyone else when FCPX was released who deemed it a complete disappointment for broadcast pros. Many updates and much experimentation later, he's now a believer: he has FCPX not only running on shared storage for broadcast work...
#avid#fcpx#final cut pro#nleDaniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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