It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
March 7, 2013, 08:48 AM
https://www.aotg.com/registration-now-open-for-the-adorama-nab-great-gi-2/
Sign up online and visit the Adorama Booth (C7412) at NAB 2013 for a chance to win a Blackmagic Cinema Camera, Sony PMW-200 or Canon C100
#sony#blackmagic design#blackmagic#nab#canon#adorama#nab 2013#sweepstakes#blackmagic cinema camera#sony pmw-200#canon c100January 25, 2013, 02:51 PM
http://vanhurkman.com/wordpress/?p=2542
I know; it’s not the most clever title. However, once I fully understood the implications of how flags and marks work in Resolve 9, I discovered a practical use for flags that hadn’t previously occurred to me.
#blackmagic#davinci#resolve#designJanuary 24, 2013, 02:23 PM
http://www.creativeplanetnetwork.com/2-pop/news/ho...
In this video tutorial, Jesse Borkowski explains how to work with CinemaDNG files (captured with the Blackmagic Cinema Camera or Ikonoskop A-Cam DII) and use ACES color space within DaVinci Resolve 9.0. Watch below.
#blackmagic#resolve#cinemadngJanuary 20, 2013, 11:21 AM
http://nofilmschool.com/2013/01/blackmagic-retina-...
Blackmagic’s DaVinci Resolve 9 has seen a number of updates since its release over the summer, and even though many have been waiting for the full version that comes with their Blackmagic Cinema Camera, the free version, DaVinci Resolve Lite, is almost exactly the same , with just a few limitations in terms of nodes and resolutions. We’ve featured a few tutorials on the software so far, so if you’re unfamiliar with it, be sure to check them out. Click through for all of the additions...
#blackmagic#davinci#resolve#retinaJanuary 17, 2013, 07:39 AM
http://www.norender.com/basic-training-davinci-res...
Presentamos la sexta entrega del curso Basic Trainning de Davinci Resolve. En este nuevo videotutorial, gratis, de Davinci Resolve vamos a ver como funcionan las herramientas de etalonaje -equilibrado de luz y color entre los diferentes planos- en Davinci Resolve. Veremos qué son las still, memories, versions y grupos. También explicaremos la ventana de Gallery.
#blackmagic#davinci#resolve#designJanuary 15, 2013, 08:10 AM
http://provideocoalition.com/ssimmons/story/compar...
With the advent of Thunderbolt a new option arrived for editors in the form of an easy to use video capture and playback interface for your editing computer that doesn’t have to sit inside a tower. Adding Thunderbolt to iMacs and laptops means portability and affordability is an option for editors like never before. Both the AJA Io XT and the Blackmagic Design UltraStudio 3D are two good options...
#thunderbolt#aja#blackmagic#playbackJanuary 13, 2013, 07:50 PM
http://www.antlerpost.com/Plugins.html
With this plugin you can work with Blackmagic Film (log) ProRes files in the FCP7 timeline, seeing them in "video" like the camera's monitoring. No need to render if you enable "Unlimited RT" – set high/medium/low quality depending on the speed of your machine. Or batch export with the LUT (and burn-ins if required) "baked in" to proxy files for editorial.
#blackmagic#fcp7#film#lutJanuary 11, 2013, 07:50 AM
http://notesonvideo.blogspot.ca/2013/01/an-unexpec...
Recently, I was working on a project in Adobe Premiere which required exporting the Sequence as multiple sub-clips to .f4v format. Of course, as often happens, there was a problem with one of the exported clips, so I had to set it up in Premiere and re-export to Adobe Media Encoder.
#blackmagic#adobe#cs6#design#media encoderJanuary 3, 2013, 09:31 AM
http://feedproxy.google.com/~r/industryhappenings/...
The Editors’ Lounge returns on Friday, January 25th with Boris FX / Blackmagic! Senior Product Marketing Manager Kevan O’Brien will be demonstrating Boris Contiuum Complete Version 8. Highlights to include… *200+ visual effects filters w/3D particle effects *Image Restoration tools i.e., Noise Reduction, Flicker Fixer *Lens flares / lights *Chroma keys and mattes *Color Correction...
#blackmagic#editors lounge#borisfxJanuary 2, 2013, 01:15 PM
http://www.4rfv.co.uk/industrynews.asp?id=156051
DaVinci Resolve was used on several of the 2012 holiday season's biggest films finished at Company 3.
#blackmagic#davinci#resolveDaniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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