It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
April 24, 2017, 12:15 PM
http://theangryvideoguy.com/index.php/2017/04/24/n...
New features include up to 10 times performance increase, Fairlight audio built into DaVinci Resolve, and multi user collaboration tools that let multiple people edit, color and mix audio from multiple systems, all in the same project at the same time. Biggest news to me, is that the price is a startlingly low $299. At that point it is hard to argue against a purchase.
#blackmagic design#color grading#davinci resolve#nabshow#nab 2017April 20, 2017, 09:43 AM
https://www.aotg.com/japan-institute-of-moving-image-uses-cintel/
Blackmagic Design today announced the Japan Institute of the Moving Image has installed and is using Blackmagic Cintel Film Scanner for archiving student films that have been shot at the college over the past four decades.
#color grading#post production#film scanningApril 12, 2017, 10:02 AM
https://www.aotg.com/mz-studio-delivers-with-davinci-resolve-studio/
Blackmagic Design today announced that Shanghai based MZ Studio graded Chinese smartphone maker vivo’s X9 commercial, starring Taiwanese icon Eddie Peng Yu-yen, with DaVinci Resolve Studio and DaVinci Resolve Advanced Panel.
#color grading#post production#color correctionApril 12, 2017, 09:21 AM
http://theangryvideoguy.com/index.php/2017/04/12/a...
The sensor itself is a CMOSIS CMV12000 with a resolution of 4096×3072, a color depth of 12-bit, and 300FPS capture (if in 10-bit). apertus° recently released a collection of clips shot over an 18 month testing period on a variety of lenses including Nikon primes, Contax, M42, Canon and other Nikon lenses.
#color grading#beta#cameras#apertus#axiomApril 3, 2017, 09:25 AM
http://theangryvideoguy.com/index.php/2017/04/03/n...
Following up my IPP2 Writeup , RED has released Build 6.4.17 for DSMC2 Cameras along with an updated Redcine-X. IPP2 promises better management of challenging colors, an improved demosaicing algorithm to achieve higher detail at the same pixel resolution. See the before/afters when demosiaced with the new RedcineX
#color grading#color correction#camera#red digital cinema#digital cinema#camera tech#ipp2March 24, 2017, 10:43 AM
https://www.aotg.com/japans-hbc-flex-installs-cintel-film-scanner/
Blackmagic Design today announced that HBC Flex has installed a Blackmagic Cintel Film Scanner to archive numerous films they have produced over their more than 50 years of filmmaking.
#color grading#post production#film scanningMarch 14, 2017, 01:40 PM
https://www.aotg.com/flesh-and-blood-graded-with-davinci-resolve/
2017 South By Southwest (SXSW) debut film “Flesh and Blood” was shot with several of Blackmagic Design’s digital film cameras, including URSA Mini 4.6K, Production Camera 4K and Pocket Cinema Camera, by DP Patrice Lucien Cochet. Producer and Post Production Supervisor Dustin Hughes also used Blackmagic Design’s professional editing, color grading and finishing solution DaVinci Resolve Studio to color grade the film, as well as Fusion for visual effects (VFX) work.
#vfx#color grading#post productionMarch 13, 2017, 10:13 AM
https://www.aotg.com/a-few-less-men-graded-with-davinci-resolve-studio/
Blackmagic Design today announced that DaVinci Resolve Studio was used by Colorist Deidre McClelland, CSI, to grade the hit comedy sequel “A Few Less Men” at full-service post studio The Post Lounge’s new Melbourne facility.
#vfx#color grading#post production#color correctionMarch 6, 2017, 11:31 AM
https://www.aotg.com/cine-plus-delivers-hdr-grade-with-davinci-resolve/
Blackmagic Design today announced that Berlin post house Cine Plus has completed its first high dynamic range (HDR) grade in DaVinci Resolve Studio for German national broadcaster ARD’s feature length thriller, “Sanft Schläft der Tod.”
#color grading#post production#hdr#color correctionMarch 2, 2017, 05:33 PM
https://www.aotg.com/davinci-resolve-12-5-for-linux-now-available/
DaVinci Resolve and DaVinci Resolve Studio are now available for Red Hat and CentOS Linux.
#color grading#post production#linuxDaniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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