It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 6, 2017, 07:18 AM
http://www.premierebro.com/blog/an-overview-of-ove...
USE OVERLAYS TO DISPLAY CLIP AND SEQUENCE METADATA ON THE MONITORS IN PREMIERE PRO. Overlays in Premiere Pro are extremely handy for viewing sequence and clip metadata directly in the monitors. They show valuable information about the frame at the current playhead position. If you are meticulous about media management, metadata, and markers, then overlays are your reward. Let's take a look at how Overlays work in Premiere Pro, including several specific ways they can help your editing workflow.
#editing#adobe#premiere pro#metadata#overlaysSeptember 29, 2017, 10:33 AM
http://www.premierebro.com/weekinpr/week-in-premie...
PREMIERE PRO WEEK IN REVIEW: Premiere Pro CC 2018 Preview Review • Tips for Epic Trailers from Derek Lieu • Billy Fox, A.C.E., on Editing Only the Brave in Premiere Pro • A Week's Worth of the Best Premiere Pro Tutorials!
#editing#adobe#premiere pro#news#creative cloudSeptember 28, 2017, 11:43 AM
http://www.premierebro.com/blog/premiere-pro-cc-20...
USER REACTIONS TO THE NEW FEATURES COMING IN PREMIERE PRO CC 2018. It's been exactly two weeks since the preview of Premiere Pro CC 2018. That's 14 days to think about the new features, and how they're going to impact our editing workflows. Let's see what Premiere Pro users have to say about them.
#editing#adobe#premiere pro#news#creative cloudSeptember 22, 2017, 11:18 AM
http://www.premierebro.com/weekinpr/week-in-premie...
PREMIERE PRO WEEK IN REVIEW: Premiere Pro at IBC 2017 • 5 Cinematic Editing Hacks in Premiere Pro • 4 Premiere Products (Free VHS Effect and Transition Packs) • Premiere OnScript: Learning Scripting in Premiere Pro
#editing#adobe#premiere pro#tutorials#creative cloudSeptember 19, 2017, 09:09 AM
https://www.youtube.com/watch?v=HvsFsjfwYqA&featur...
With the upcoming release of mac OS this month, it’s been announced that Final Cut Pro 7 will no longer be supported. To assist FCP 7 editors, we have prepared a short video that outlines the similarities between editing in DaVinci Resolve 14 and Final Cut Pro 7. This video also introduces many of the features that will help you get started with DaVinci Resolve 14. The video also includes a very quick introduction to color correction and audio post production.
#editing#blackmagic design#davinci resolve#nle#final cut pro 7September 11, 2017, 06:44 AM
https://www.packafoma.com/blog/2017/09/08/premiere...
Blackmagic Design’s DaVinci Resolve 14 is what FCP 9 should have been.
#editing#blackmagic design#adobe#creative cloud#premiere pro cc#davinci resolve 14#opinionSeptember 7, 2017, 05:52 AM
https://www.aotg.com/davinci-resolve-14-is-now-shipping/
Massive update to Hollywood’s fastest growing professional editor features up to 10x better performance, Fairlight digital audio, multi user collaboration tools and hundreds of new features!
#editing#audio#color grading#post productionSeptember 1, 2017, 12:48 PM
http://www.premierebro.com/weekinpr/week-in-premie...
PREMIERE PRO WEEK IN REVIEW: What Premiere Pro Users Should Expect at IBC 2017 • FREE RGB, VHS, and Transition Presets • Animate Inside a Frame with Essential Graphics Panel • 2 "Shine" Title Animation Tutorials
#editing#adobe#premiere pro#ibc#creative cloudAugust 25, 2017, 11:59 AM
http://www.premierebro.com/weekinpr/week-in-premie...
PREMIERE PRO WEEK IN REVIEW: 4 Must Know Music Video Transitions • 5 Must Know Advanced Effects in Premiere Pro • 5 Tips From "The Cool Stuff in Premiere Pro" • 6 Ricegum Diss Track Effects in Premiere Pro
#editing#adobe#premiere pro#tutorials#creative cloudAugust 18, 2017, 11:01 AM
http://www.premierebro.com/weekinpr/week-in-premie...
PREMIERE PRO WEEK IN REVIEW: Circle and Pixelated Transitions • FREE Fake Camera Movement Presets • Interview with Filmmaker Valentina Vee • The Latest and Greatest Premiere Pro Content
#editing#adobe#tutorials#creative cloud#premere proDaniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2024 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.