It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 29, 2018, 10:51 PM
https://blog.ritualmusic.com/how-to-score-a-film-m...
Have you ever watched the movie “Jaws” on mute? There’s something almost comical, at once animatronic, about the clunky robot approaching from below. Yet, introduce John William’s iconic, two-note ostinato, and the suspense is hypnotic, the fear paralyzing. In fact, Spielberg now credits this lasting score to “half of the success” of the film. This illustrates perfectly the purpose of composing music for a film.
#editing#audio#postproduction#filmmaking#sound#scoringJanuary 25, 2018, 08:31 AM
http://www.premierebro.com/blog/premiere-pro-1201-...
SUPPORT FOR VARIABLE FRAME RATE, IMPROVEMENTS TO SHARED PROJECTS, AND OTHER GEMS IN THE 12.0.1 UPDATE FOR PREMIERE PRO CC. The 12.0.1 update for Premiere Pro CC 2018 adds support for Variable Frame Rate. But that's not all! In this post we break down all of the new features tucked away in this sweet little Premiere Pro update.
#editing#adobe#premiere pro#creative cloud#adobe premiereJanuary 22, 2018, 10:20 AM
https://www.aotg.com/more-than-55-sundance-films-use-blackmagic-design/
Blackmagic Design congratulates the many films, episodic series and projects at the 2018 Sundance Film Festival that were shot and completed using Blackmagic Design products.
#editing#color grading#post production#color correctionJanuary 19, 2018, 08:14 AM
http://www.premierebro.com/weekinpr/week-in-premie...
PREMIERE PRO WEEK IN REVIEW: Premiere Profile: Meet Adobe's Patrick Palmer • Premiere Projects: Adobe Interviews Sundance Filmmakers • Premiere Pro VS FCPX: What Do YouTubers Use? • FREE Super 8mm Effect and 4K Light Leaks
#editing#adobe#premiere pro#tutorials#creative cloudJanuary 17, 2018, 11:49 AM
http://www.premierebro.com/blog/meet-patrick-palme...
Meet the man who is largely responsible for the future of Premiere Pro CC. Premiere Bro is proud to share this exclusive Premiere Profile with Adobe's Patrick Palmer.
#editing#adobe#premiere pro#creative cloud#patrick palmerJanuary 16, 2018, 06:45 PM
https://www.youtube.com/watch?v=_aemczTZP30&t=3s
In episode 4 of my YouTube Series: Rob's Tech Reviews, I take a look at Monkeybars which is an script for After Effects available on AEScripts for making quick and automated text boxes for lower thirds.
#editor#editing#design#motion graphics#graphic design#aescripts#title designJanuary 16, 2018, 08:43 AM
https://www.aotg.com/episode-218-wyatt-smith-mary-poppins-returns/
Gordon sits down with Wyatt Smith to discuss the editing of Mary Poppins Returns and the challenges the film presented him in the editing room.
#editor#editing#film#film editing#television#movies#wyatt smith#the cutting room#mary poppins returnsJanuary 16, 2018, 02:58 AM
https://www.aotg.com/episode-210-tom-cross-hostiles-whiplash-la-la-land/
Tom Cross and Gordon Burkell sit down to discuss the editing of Hostiles and how to work with footage to affect the pacing and the audience.
#editor#editing#film#film editing#television#movies#whiplash#la la land#tom cross#the cutting room#hostilesJanuary 14, 2018, 08:56 AM
https://www.aotg.com/utoka-creates-motion-design-for-gmc-campaign/
UTOKA motion designer lends talents to national GMC campaign
#editing#cgi#broadcast#design#motion design#utoka#ed dye#charlie erholm#visual brand identitiesJanuary 12, 2018, 12:25 PM
http://www.premierebro.com/weekinpr/week-in-premie...
PREMIERE PRO WEEK IN REVIEW: Premiere Products: Logitech MX Master 2S and Meta 2 Metaglasses • How to Use FREE GoPro VR Effects in Premiere Pro • Swap Clothes Quick (Like Zach King) with Premiere Pro • 3 Tutorials by TheyCallMeCotton: Flash Blur Transition, Pancake Timelines, and Trippy Kaleidoscope Effect
#editing#adobe#premiere pro#effects#creative cloudDaniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2024 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.