It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
September 27, 2016, 12:50 AM
https://edit8.com/entangle-for-avid-2/
if you ever edited on Avid lately, you would have probably asked one question, why does Avid has no match for Premiere/FCPX in-app Audio based sync? Yes, you could in theory use Plural Eyes, but even that as a workflow is a bit off-putting. Entangle for Avid tries to solve this by allowing to select number of files in Avid, right click on them and select Synchronize from the context menu. It's as easy as that. Once you've done the synchronization, you just drag a resulting AAF file into Avid.
#editor#editing#film editor#film editing#edit#editor film#film and editing#top editing#video editSeptember 22, 2016, 02:40 AM
http://jonnyelwyn.co.uk/film-and-video-editing/pro...
Take a deep dive into professional broadcast TV and feature film workflows in this extensive round up of videos, articles and interviews. Also pick up some tips on switching to FCPX and it's essential plugins!
#editing#fcpx#feature film#tv editing#film and tv workflow#switching to fcpxSeptember 9, 2016, 08:17 AM
https://www.aotg.com/blackmagic-design-announces-davinci-resolve-12-5-2-2/
Blackmagic Design today announced a new DaVinci Resolve 12.5.2 update for its professional editing and color correction software. DaVinci Resolve 12.5.2 features support for additional URSA Mini camera metadata, color space tags on QuickTime export, Fusion Connect for Linux, advanced filtering options and more. DaVinci Resolve 12.5.2 update is available now for both DaVinci Resolve and DaVinci Resolve Studio customers, and can be downloaded free of charge from the Blackmagic Design website.
#editing#blackmagic design#davinci resolve#color correction#ibcSeptember 9, 2016, 04:16 AM
http://jonnyelwyn.co.uk/film-and-video-editing/tip...
Pick up some tips from professional Premiere Pro editors in this round up of tips, tricks and tutorials including time saving macros!
#editing#premiere pro#editing tips#editing short cuts#professional editorsAugust 31, 2016, 12:57 PM
http://www.premierebro.com/blog/how-i-learned-to-l...
HOW MOTION ARRAY PREMIERE PRO TEMPLATES CAN SAVE EDITORS TIME AND MONEY WITHOUT SACRIFICING HIGH-QUALITY WORK. What's your gut reaction to video editing templates? This post examines the stigma around video editing templates, and encourages editors to focus on storytelling in an industry that is increasingly more accessible to consumers. See how you can benefit from using video editing templates.
#editing#adobe#premiere pro#templates#motion arrayAugust 23, 2016, 01:01 PM
https://www.aotg.com/o2-filmes-uses-davinci-resolve-and-fusion-studio/
Blackmagic Design today announced that some of the ceremony videos, including the opening ceremony video for the 2016 Rio Olympic Games, were created by Brazilian based O2 Filmes using DaVinci Resolve 12.5 Studio for editing and color grading, as well as Fusion 8 Studio for visual effects.
#editing#vfx#color correctionAugust 18, 2016, 08:31 AM
http://jonnyelwyn.co.uk/film-and-video-editing/adv...
Couldn't make it to EditFest LA this year? Fear not! You've not missed out on hours and hours of expert advice from some of Hollywood's top editors (past, present and future) - catch up on it all in this post.
#editing#editors on editing#editfest la 2016#advice for editors#breaking into editingAugust 11, 2016, 11:49 AM
https://www.aotg.com/blackmagic-design-announces-davinci-resolve-12-5-1/
New update adds direct support for ProRes decode on Windows!
#editing#color grading#post production#finishingAugust 3, 2016, 08:00 AM
https://www.aotg.com/jason-bourne-graded-with-davinci-resolve-studio/
Blackmagic Design today announced that Goldcrest Post London used DaVinci Resolve Studio to complete the edit, color grade and HDR finishing for Universal Pictures’ “Jason Bourne,” in which Matt Damon returns to his most iconic role. The film is currently in cinemas.
#editing#grading#post production#hdrAugust 2, 2016, 02:05 PM
https://www.aotg.com/davinci-resolve-and-fusion-studio-on-bbc-one-reg/
Blackmagic Design today announced that DaVinci Resolve and Fusion Studio were used to complete the final edit, grade and visual effects for new BBC One drama “Reg,” starring Tim Roth.
#editing#vfx#color grading#post productionDaniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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