To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

The Editing of Whiplash

March 3, 2015, 03:46 PM

http://lintondavies.co.uk/blog/the-editing-of-whip...

The Academy thought it was the best edited film of the year. Here's a closer look at how it was cut.

#editing#film#technique#theory#art#analysis#whiplash#breakdown
David Moritz on working with Wes Anderson

March 2, 2015, 11:56 AM

http://www.aotg.com/index.php?page=cuttingroom_163

Here’s part two of my interview with David Moritz, originally recorded during Editors Retreat 2015. David’s work began after he started as a music editor and transitioned to editor under the mentorship of Richard Marks. He began working with Wes Anderson when Wes directed his first feature, Bottle Rocket. Since then his career has taken off and he’s become one of the top editors and fixers in the industry.

#editing#comedy#post production#wes anderson#david moritz#ad-libbing#editors retreat
David Moritz on how he got into Film Editing

February 23, 2015, 03:46 PM

http://www.aotg.com/index.php?page=cuttingroom_162

I sat down with David Moritz in Daytona, Florida, during the 2015 Editors Retreat. He had talked about his work with the group the previous day, and the two of us sat down for an interview on the beach overlooking the ocean. We talked for over an hour and because of this I’ve broken it into 3 parts. What you are listening to is part one.

#editing#comedy#post production#david moritz#judd apatow#ad-libbing#editors retreat
DaVinic Resolve 11.2 Update

February 3, 2015, 11:33 PM

http://videoandfilmmaker.com/wp/index.php/new-gear...

Bringing with it new features such as CinemaDNG colour algorithms, DNxHR 4K, and improved Avid round tripping, amongst others.

#editing#grading#color#colour#grade#temperature
How To Be A DIT- From Sensor To Screen

January 29, 2015, 08:12 AM

http://jonnyelwyn.co.uk/workflow-for-post-producti...

If you want to know what it takes to be a professional DIT check out this epic round up of DIT resources, including insights from top DoP's, books for DIT's, discounted training on DCP creation and more!

#editing#digital#post production#cinema#dit#digital cinematography#dcp creation
1 42 43 44 45 46 84

© 2007-2024 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.