It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
April 15, 2014, 02:33 PM
http://provideocoalition.com/ssimmons/story/pvc-at...
I couldn’t go to NAB without stopping by and visiting the folks at Red Giant Software. Their big news was the launch of Red Giant Universe and I talked with Sean from Red Giant about just that. But I didn’t want to let the other stuff go by unmentioned either so a talk with Randon gets us some info on Bulletproof, PluralEyes and the new Instant 4K.
#editing#red giant#nabApril 11, 2014, 03:37 PM
http://nonlinearpost.com/4k-workstation-demo-faste...
Lumaforge partners with AMD to develop the fastest 4k, 5k, or 6k workstation in the world. Neil Smith demos using 6k Red Dragon files in real time in DaVinci Resolve.
#editing#4k#hardware#amd#tech#workstation#5k#6k#post-produciton#w9100April 8, 2014, 01:48 AM
http://qww.editshare.com/about/about-us/press/item...
EditShare®, the technology leader in shared media storage and end-to-end tapeless workflow solutions, today announced that its Flow Media Asset Management (MAM) and Ark archiving/backup solutions now integrate with the Avid ISIS 5500/5000 and 7500/7000 shared storage families. The new integration lets Avid ISIS facilities add powerful yet cost-effective EditShare asset management, ingest and archiving tools to their workflow.
#editing#avid#software#nab#post production#editshare#media asset management#editshare flow#nab 2014#avid isis#tapeless workflow solutions#woApril 4, 2014, 12:14 PM
http://editshare.com/about/about-us/press/item/159...
EditShare®, the technology leader in shared media storage and end-to-end tapeless workflow solutions, will give NAB 2014 attendees a preview of EditShare Flow v3.1, a forthcoming update to the company’s popular media asset management solution. Flow v3.1 features enhanced metadata integration with Avid® non-linear editing systems as well as proxy editing workflows for all major NLEs.
#workflow#editing#nab#editshare#mam#media asset management#editshare flow#nab 2014April 3, 2014, 02:23 PM
http://www.editshare.com/about/about-us/press/item...
EditShare®, the technology leader in shared media storage and end-to-end tapeless workflow solutions, is leveraging new 40-Gigabit Ethernet technology to optimize performance for 4K and other high-resolution workflows across its EditShare shared storage solutions.
#editing#avid#software#nab#post production#editshare#media asset management#editshare flow#nab 2014#avid isis#tapeless workflow solutionsMarch 18, 2014, 09:34 PM
http://provideocoalition.com/shullfish/story/the-a...
It’s not often that Hollywood’s stars publicly recognize the great stewardship that an editor of a film has of their performance. But it’s a long journey between what an actor emotes in front of a camera and the reception of that performance by an audience. The director certainly has a strong influence on that performance, but the editor (with the director’s guidance) is the final gatekeeper of the performance the audience sees and the context in which it’s seen.
#editing#academy awardsMarch 18, 2014, 03:00 AM
Film Editing News and Interviews
#editor#editing#film#film editing#christopher tellefsen#television#movies#the cutting room#moneyball#capote#lambert and stampMarch 14, 2014, 11:51 AM
http://provideocoalition.com/ssimmons/story/useful...
Scott Simmons attended the 2014 Editors Retreat and came back with a whole tool box full of new tools. The Gearheads session provided a nice list of useful tools for editors and filmmakers alike.
#editing#tools#retreatDaniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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