It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
November 29, 2012, 02:53 PM
http://www.postmagazine.com/Post-Blog/2012/Novembe...
In the past, the sheer horsepower of our computers was far less, so much so, that most computers could only play back video using smaller image sizes or lower frame rates. (Anyone remember watching computer videos that were 320x240? I remember building a business where the only videos we could create were that size.)
#editor#imacs#video editingNovember 27, 2012, 10:37 PM
http://joyoffilmediting.com/index.php/archives/515...
Laying out the rest of the groundwork for designing your project, this post concludes my four-part Laying out the rest of the groundwork for designing your project, this post concludes my four-part series on the magical, imagineering aspects and grounded engineering requirements of envisioning your film from an editorial standpoint. 3) Shoot right for postproduction...
#editor#editing#film editor#postproductionNovember 27, 2012, 03:18 PM
http://twainthestoryteller.wordpress.com/2012/11/2...
Todd Gill is a freelance editor and colorist with over 12 years of experience in the post production industry. He has worked on many national, regional, and local TV campaigns, as well as, documentary, and corporate videos. Like most...
#editor#film editor#film editing#todd gill#localNovember 27, 2012, 02:54 PM
http://www.bfs-filmeditor.de/aktuell/meldungen/mel...
(in German) Climax and culmination formed on 26 November 2012, the award ceremony of this year's winners. After four days of intense film viewing and inspiring, lively discussions about the assembly there was much applause for the winners.
#editor#editing#film editing#germanyNovember 27, 2012, 08:07 AM
https://www.aotg.com/dede-allen-the-lost-interview-part-4/
In part 4 of our evening with Dede Allen, taped at the April 2006 lafcpug meeting, we take more questions from the audience. We touch on the role of Producers, her role as a VP of Post Production at Warner Bros. -
#editor#editing#film editor#lacpug#dede allenNovember 27, 2012, 08:07 AM
https://www.aotg.com/dede-allen-the-lost-interview-part-3/
In part 3 of our evening with Dede Allen, taped at the April 2006 lafcpug meeting, we take questions from the audience. We talk about cutting particular scenes on REDS, The HUSTLER, THE BREAKFAST CLUB, director Arthur Penn and others.
#editor#editing#film editor#lacpug#dede allenNovember 27, 2012, 08:07 AM
https://www.aotg.com/dede-allen-the-lost-interview-part-2/
In Part 2 of my interview with Dede Allen, taped at the April 2006 lafcpug meeting, we show and talk about scenes from the movies REDS, BONNIE AND CLYDE, LITTLE BIG MAN and SLAP SHOT.
#editor#editing#film editor#lacpug#dede allenNovember 27, 2012, 08:07 AM
https://www.aotg.com/dede-allen-the-lost-interview-part-1/
In April 2006, I had the privilege of interviewing legendary film editor Dede Allen at the Gallery Theater in Hollywood. For some odd reason the tapes were misplaced and only resurfaced recently. In this, Part 1 of our evening with Dede Allen, we talk about her early career (15 years) as a sound editor, and her first big break as a picture editor on the film
#editor#editing#film editor#lacpug#dede allenNovember 26, 2012, 03:14 PM
http://www.btlnews.com/awards/contender-portfolios...
"When I read the screenplay, I knew this had the chance to be a special film," William Goldenberg shared about his feelings when he was approached to edit Argo, director Ben Affleck's dramatization of the secret 1980 operation to extract six fugitive diplomats from Iran during that country's Islamic revolution and embassy hostage crisis.
#editor#editing#film editor#william goldenberg#argoNovember 25, 2012, 04:36 PM
http://www.latimes.com/news/local/la-me-dann-cahn-...
Using a newly developed editing machine that he dubbed the "three-headed monster," Dann Cahn pioneered multi-camera editing on sitcoms in the 1950s while helping to craft a classic, "I Love Lucy." Lucy broke ground in television by employing three cameras instead of one for filming, a then-novel system that allowed an episode to be filmed as though it were a stage play — continuously and in sequence.
#editor#film editor#film editing#dann cahnDaniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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