It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 29, 2012, 08:34 PM
https://www.aotg.com/constructive-editing-robert-bressons-pickpocket/
Constructive Editing: Robert Bresson's Pickpocket
#editor#bordwell#constructive#editing#film editor#film editing#david bordwell#robert bresson#pickpocketOctober 29, 2012, 04:53 PM
https://www.editorsguild.com/FromTheGuild.cfm?From...
As a 28-year-old ballet dancer in New York, Lisa Bromwell, A.C.E., was looking at a career with limited longevity. She’d always been interested in film, however, and landed a job as a set PA to get a sense of what it was like to make a movie...
#editor#ace#lisa bromwell#eric brodeur#craig mckay#assistant#silence of the lambs#the sessionsOctober 29, 2012, 04:51 PM
https://www.editorsguild.com/FromTheGuild.cfm?From...
After the feature, assistant editor Holley — whose early career included stints at Disney’s Florida Animation Studios and work on Aladdin (1992) and Mulan (1998) — introduced Bossert, a Disney veteran of 28 years. He has numerous credits on features, shorts and TV, as producer, director, visual effects supervisor and effects animator, in addition to his responsibilities as artistic supervisor for restoration and preservation efforts.
#editor#lady and the tramp#assistant editor#sharon smith holleyOctober 29, 2012, 04:48 PM
https://www.editorsguild.com/FromTheGuild.cfm?From...
When editor John Gilbert, A.C.E., was presented with the opportunity to work on the new film Chasing Mavericks, which opens October 26 through 20th Century Fox, it was not just the subject (big-wave surfing) or the story the apprenticeship of famed surfer Jay Moriarity) that appealed to him. It was the prospect of collaborating with director Curtis Hanson.
#chasing mavericks#editor#john gilbert#ace#editing chasing mavericksOctober 29, 2012, 04:15 PM
http://www.postmagazine.com/Publications/Post-Maga...
HOLLYWOOD — Cloud Atlas, the award-winning multi-dimensional narrative written by David Mitchell, has been rendered into an epic, visually-stunning movie experience by three renowned directors: Tom Tykwer (Run Lola Run) and Andy Wachowski and Lana Wachowski (The Matrix Trilogy). This unique collaboration reportedly earned the film a seven-minute standing ovation at its premiere at the Toronto Film Festival.
#workflow#cloud atlas#editor#editing#david mitchell#award#film editorOctober 29, 2012, 03:36 PM
http://editingisart.com/?p=674
A combination of non-traditional video time-lapse and animation, video artist Philip Stockton filmed day and night scenes from around New York City and combined them back into single sequences using rotoscoping techniques. The piece explores the relationships between night and...
#editor#video#film editing#inspiration#new yorkOctober 29, 2012, 09:03 AM
https://www.aotg.com/david-tedeschi-discusses-editing-docs/
EditFest NY 2012 - David Tedeschi Discusses a Scene from the Movie
#editor#editing#film editor#film editing#technique#david tedeschi#documentaryOctober 28, 2012, 11:51 AM
http://www.redsharknews.com/post/item/168-lightwor...
The 10th December 2007 Led Zeppelin concert at the O2 Arena was the most ambitious live screen performance of its time. Henry Stein describes how he edited the footage from this spectacular concert...
#editor#editing#nle#film editor#lightworks#led zeppelin#dick carruthersOctober 27, 2012, 12:31 AM
http://news.creativecow.net/story/870078
(Austin, Texas--October 25, 2012) Calibrated Software, an innovator of applications and plug-ins for post-production workflows, announced today Calibrated MXF Import with native MXF editing support for Final Cut Pro X 10.0.6.
#editor#editing#fcpx#film editing#fcp#mxf#native#calibratedOctober 26, 2012, 03:49 PM
https://www.aotg.com/jeff-ford-the-avengers-2/
In this episode of The Rough Cut, I sit down with editor Jeff Ford on the set of Iron Man 3. Having just edited The Avengers, Jeff has lots to share about editing a blockbuster film and how that differs from cutting smaller independent films such as One Hour Photo. Have you ever taken an acting class or learned the craft of screenwriting? Jeff tells you why you should. All that and more on this edition of The Rough Cut.
#editor#editing#avid#media composer#mc6#film editor#film editing#jeff ford#jeffrey ford#mc#edit#the avengers#rough cutDaniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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