It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 13, 2012, 07:55 AM
http://www.macprovideo.com/hub/final-cut/fcp-x-100...
Prior to Final Cut Pro X 10.0.6, the Share menu existed on its own and let you convert your project into one or many kinds of outputs, one at a time. You had to send an entire project (a huge issue for many editors) and you had to wait for the export to complete before you could continue. All that just changed with 10.0.6.
#fcpx#final cut pro#nle#appleDecember 12, 2012, 10:40 PM
http://www.wemakemovies.org/2012/12/24-free-motion...
Last week Ripple Training made a video about Motion 5′s link behavior. In their example they used titles only available in Motion 5. Some people commented they’d love these titles in Final Cut Pro X. I couldn’t agree more so I converted them to FCPX titles. Party time!
#fcpx#motion 5December 12, 2012, 02:07 PM
http://www.moviemaker.com/editing/article/an_fcpx_...
A lot has changed tech-wise in the last couple years when it comes to post-production needs. Things you used to think you needed to edit a movie (a giant, souped-up Mac Pro tower with a large, convoluted RAID system), are no longer necessary. So what exactly do you need nowadays to really get stuff done? Well, I run a full-on FCPX/DaVinci Resolve setup now in a couple different configurations at my company, We Make Movies: Post. It’s definitely not your traditional pro edit setup at this point...
#fcpx#final cut pro#nle#post#apple#buyers guideDecember 12, 2012, 11:35 AM
http://www.fcp.co/final-cut-pro/news/996-new-and-u...
In this months plugin roundup we have a new grading plugin from Pixel Film Studios, an interesting update to 3D rendering in FCPX with Super Charger and two new plugins from the FxFactory stable.
#fcpx#final cut pro#nleDecember 12, 2012, 11:26 AM
http://masteringfilm.com/color-correction-with-fin...
The primary tool for color correction in FCP is the Color Board, which is accessed with the arrow button opposite Correction 1 in the Inspector (see Figure 11.7 ) or more simply with the keyboard shortcut Command-6 (see Figure 11.8 , also in the color section). You can close the Color Board with the same shortcut or with the arrow button in the upper left.
#fcpx#final cut pro x#color correctionDecember 12, 2012, 07:12 AM
http://strypesinpost.com/2012/12/across-the-lines-...
In this day and age, many of us editors are starting to work on different NLEs quite frequently, so in this article, I am hoping to cross the great divide, and bridge the differences between the different NLEs, in terms of the edit keys and functions.
#avid#fcpx#adobe#cs6#after effects#ae#fcp7#media composer#mc6#premiere pro#final cut pro#nleDecember 11, 2012, 03:41 PM
http://www.fcp.co/final-cut-pro/news/993-rick-youn...
Hot off the press is longtime FCP guru Rick Young's The Focal Easy Guide to Final Cut Pro X. Should you need to brush up on your FCPX skills or just need a last minute stocking filler for Christmas, this graphic heavy publication might fit the bill. We have three to giveaway too.
#fcpx#final cut pro x#rick young#focal pressDecember 11, 2012, 03:41 PM
http://www.fcp.co/final-cut-pro/news/994-discover-...
Another new feature explored in the 10.0.6 FCPX update from Steve Martin and Mark Spencer on this week's MacBreak Studio. This time they look at flexible clip connections.
#fcpx#final cut pro#nle#appleDecember 11, 2012, 03:40 PM
http://provideocoalition.com/mspencer/story/flexib...
This week Steve Martin from Ripple Training and I continue our discussion of the features introduced in the Final Cut Pro X 10.0.6 update (note that the 10.0.7 update released last week contained no additional new features, just fixes). This week,...
#fcpx#ripple training#nle#apple#flexibleDecember 11, 2012, 03:28 PM
http://www.hdwarrior.co.uk/2012/12/11/final-cut-pr...
Ricks book arrived about two weeks ago and I have used it for a reference guide as there is still holes in my FCPX knowledge base. I downloaded Ripple Training iTunes tutorials but find them not only outdated but tedious to find instant information that only a book can offer.
#fcpx#final cut pro x#apple#rick youngDaniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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