It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
November 13, 2012, 06:23 AM
http://www.fcp.co/final-cut-pro/news/971-controlli...
You will have to bear with us for this one, but it does look like you can control the color board in FCPX by using gestures on a trackpad.
#fcpx#color boardNovember 12, 2012, 01:35 PM
http://provideocoalition.com/index.php/mspencer/st...
Ok, this was really last week's episode that's out a little late. But IMHO it's worth the wait - in it, Steve Martin from Ripple Training shows me how easy it is to work natively with RED R3D files in the Final Cut Pro X 10.0.6 update.
#fcpx#final cut pro x#red#r3d#raw#filesNovember 12, 2012, 09:48 AM
http://www.fcpxtuts.com/?p=12392
So one of the early adopters of the Final Cut Pro X plugin architecture, has released 4.0 of their plugin package. FxFactory now supports FCP X with even more plugins, as well as Premiere Pro CS6
#fcpx#final cut pro x#plugin#fxfactory#free#upgradeNovember 12, 2012, 09:47 AM
http://www.fcp.co/final-cut-pro/tutorials/970-work...
The 10.0.6 update to FCPX was huge. One of the new features was the ability to ingest and handle RAW files from the RED range of cameras. Our normal duo get very excited showing how easy this has become in Final Cut Pro X.
#fcpx#final cut pro x#red#apple#raw#raw filesNovember 12, 2012, 05:06 AM
http://www.fcp.co/final-cut-pro/news/969-apple-upd...
Apple have updated their ProRes White Paper and tucked away are some interesting performance figures for Final Cut Pro X on a Retina Macbook Pro. A great read with some great explanations.
#fcpx#final cut pro x#apple#prores#white paperNovember 11, 2012, 02:29 PM
http://www.aotg.com/techblog/2012/11/11/sugar-fx-r...
Creating rolling credits at the end of a film has never been one of my favorite things to do. Let's face it when finishing film in FCP7 it was just plain painful at times. Well luckily SugarFX realized this and gave a a beautiful plugin for FCPX known as Rolling Credits. Rolling Credits is a...
#fcpx#fcp7#final cut pro#sugar fx#rolling credits#creditsNovember 9, 2012, 07:02 PM
http://www.philiphodgetts.com/2012/11/7tox-for-fin...
The latest release of 7toX for Final Cut Pro available today in the Mac App Store includes: o Bug fix for scale when there is no aspect ratio set o Bug fix for still images in an Event o Bug fix for sequence markers o Bug fix for track audio levels and pans in nested...
#fcpx#final cut pro x#7toxNovember 9, 2012, 07:01 PM
http://feedproxy.google.com/~r/EditingWhiz/~3/OoOu...
SliceX from CoreMelt provides a powerful masking tool for Final Cut Pro X. As mentioned in my review, with SliceX you're able to create custom masks using on-screen controls. These masks can be used to remove part of a shot, blur an object or face, add refine color corrections, and more. SliceX normally retails for...
#fcpx#final cut pro x#slicexNovember 9, 2012, 02:38 PM
http://www.premiumbeat.com/blog/slow-motion-fcpx/
Learn about the benefits of optical flow slow motion in Final Cut Pro X! In these tutorials you'll see how to give your video footage super smooth slow motion.
#fcpx#final cut pro#nle#slow motion#footageNovember 9, 2012, 02:38 PM
http://support.apple.com/kb/HT5572
Apple ProRes is one of the most popular and commonly used codecs in professional post-production. The Apple ProRes family of video codecs has made it both possible and affordable to edit full-frame, 10-bit, 4:2:2 high-definition (HD), 2K, 4K, and 5K video sources with multistream performance in Final Cut Pro X.
#fcpx#final cut pro#apple#prores#white paper#apple proresDaniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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