It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 30, 2012, 10:12 PM
http://blogs.creativecow.net/blog/12049/avid-share...
Ever since Apple blew up the happy world of FCP 7, we've been running into more and more people moving to Adobe and Avid. Adobe's been pretty good. I like them a lot and their support guys (I'm talking to you Bruce) have been awesome.
#avid#fcpx#adobe#fcp7#media composer#mc6#mc#appleOctober 30, 2012, 03:06 PM
http://provideocoalition.com/index.php/mspencer/st...
The Final Cut Pro X 10.0.6 update includes many workflow improvements across the entire editing process. In this episode of MacBreak Studio, Steve Martin from Ripple Training talks with me about the new import features including the unified import window, the ability to import from a variety of cameras sources, and the ability to quickly import selection ranges.
#workflow#fcpx#final cut pro x#mark spencer#steve martin#ripple training#macbreak#studio#multi cam#multicameraOctober 30, 2012, 02:48 PM
http://www.digitalrebellion.com/blog/posts/bugs_of...
We missed last week's post and were going to combine them with this week's, however Apple released FCPX 10.0.6 which introduced new bugs that we wanted people to be aware of.PremiereIssues moving clips with a pen / tablet (via Strypes)Dynamic link failure caused by RelevantKnowledge malware (Windows)Changing the scale causes playback corruptionWrong interface fontsAudio offline after sending to PreludeFCPXFCPX 10.0.6...
#fcpx#fcp7#final cut pro#apple#bugs#tablet#dynamic link#relevant#knowledgeOctober 30, 2012, 09:45 AM
http://www.postmagazine.com/Press-Center/Daily-New...
FREMONT, CA -- Blackmagic Design (www.blackmagicdesign.com) has updated its DaVinci Resolve to V.9.0.3. It now includes a new timecode feature to add timecode to non-timecode cameras, improved CinemaDNG control palette, AAF and XML clip management, enhanced stereo 3D grading and support for XML round tripping in the new release of Final Cut Pro X version 10.0.6.
#post magazine#blackmagic design#fcpxOctober 29, 2012, 03:08 PM
http://www.creativeplanetnetwork.com/2-pop/news/re...
Watch this short video introducing some of the features of the new RED Final Cut Pro X plug-in which allows you to work with .R3D files natively within Final Cut Pro X. The video covers topics like importing files, metadata, exporting XMLs and more.
#fcpx#final cut pro x#red#plugin#plug-in#xml#r3dOctober 29, 2012, 02:53 PM
http://www.macprovideo.com/hub/final-cut/redcode-r...
As of the release of Final Cut Pro X version 10.0.6, native REDCODE RAW and the REDROCKET card are fully supported as of FCP 10.0.6. This is the R3D video file format that is proprietary to RED brand cameras. There are some neat tricks to using REDCODE RAW clips natively in FCP X. In this article I’ll walk you through what you'll need to know if you want to edit REDCODE RAW media natively in FCP X.
#fcpx#final cut pro x#red#plugin#r3d#redcode#rawOctober 29, 2012, 02:50 PM
https://www.aotg.com/dual-viewers-in-10-0-6-final-cut-pro-x-tutorial/
Dual Viewers in 10.0.6 | Final Cut Pro X Tutorial
#fcpx#final cut pro x#tutorial#dual viewers#dualOctober 28, 2012, 06:53 PM
http://alex4d.wordpress.com/2012/10/28/alex4d-lett...
The 10.0.6 update to Final Cut Pro removed a control from the Letterbox effect. You cannot control the vertical offset of the underlying clip. Here's a Final Cut Pro X effect based on by Alex4D Widescreen Matte adjustment layer that brings back this control and more.
#fcpx#final cut pro x#plugin#letterbox#effectsOctober 28, 2012, 11:53 AM
http://www.philiphodgetts.com/2012/10/where-goes-f...
Despite what some may think, Final Cut Pro X is definitely for professional editing work.
#editing#fcpx#final cut pro x#nle#professionalOctober 27, 2012, 12:53 AM
http://jonnyelwyn.co.uk/film-video-editing-tools-f...
Free Tutorials for FCPX 10.0.6 We Make Movies has eight free tutorials, specifically for the new FCPX 10.0.6 update, that will take you through among other things a detailed RED workflow as well as how to make use of the...
#fcpx#tutorialsDaniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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