It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 22, 2013, 01:07 PM
http://www.studiodaily.com/2013/01/video-editors-c...
Over the last two years, I’ve worked on numerous heavy, professional-grade video editing projects like live streaming Lollapalooza, ACL Fest and JazzFest music festivals. A project like a music festival is a tremendously demanding beast as the timelines are extremely tight, as little as a few hours, but the quality of the final product must still be as high as a full blown production. This is why having a fast, high quality production cycle is critical to success and why video editors demand.....
#editing#video#film editing#post production#editorsJanuary 16, 2013, 03:24 PM
http://www.videomaker.com/article/15645-how-to-mak...
Many people use video résumés or demo reels to show their skills to potential employers or clients. For people in the visual world of video production, it's even more critical. Here are some tips on what you should show and what should end up on the editing room floor.
#film editing#demo#reelJanuary 13, 2013, 07:52 PM
http://www.larryjordan.biz/app_bin/wordpress/archi...
Last November, the day they went on sale, I ordered a 27″ iMac to replace my main editing system. (Click here to read about the system I ordered.) It arrived the end of December and, as these things tend to work out, as soon as I unpacked it, I needed to give it to our talented production assistant to do some web database work for the last two weeks.
#editing#fcpx#film editing#imacs#larry jordan#on air#debateJanuary 10, 2013, 07:22 AM
http://www.jaa-editing.com/blog/one-possible-futur...
... I feel concerned that my error messages have now started to come from the future.
#film editor#film editing#judith allen#error messagesJanuary 9, 2013, 08:15 AM
http://provideocoalition.com/mspencer/story/editin...
This week on MacBreak Studio, Steve Martin from Ripple Training shows us how to make sure we've got everything together when moving events in Final Cut Pro X to another drive.
#editing#fcpx#steve martin#ripple training#film editing#final cut xJanuary 5, 2013, 11:23 AM
http://www.redsharknews.com/post/item/337-lightwor...
Curated by animator and screenwriter Jack Feldstein, the film series paired New York filmmakers with poets to explore the relationship between poetry and the motion picture. I had the good fortune to be paired with the George Wallace, a prolific and talented poet whose imaginative style inspired the surreal science-fiction themes.
#nle#film editing#lightworks#cuts#animationJanuary 4, 2013, 12:53 PM
http://feedproxy.google.com/~r/EditingWhiz/~3/Qmkb...
Have you ever found the default transitions in Final Cut Pro X lacking? Ever needed something more than a plain dissolve or wipe? With IMPACKT transitions from Luca Visual FX, you can “create digital and analogue glitches, dramatic wipes, customizable spin, tear, bleed, split, prismatic fx and a lot more.” The IMPACKT transitions pack comes...
#fcpx#final cut pro x#film editingJanuary 2, 2013, 01:16 PM
http://broadcastengineering.com/blog/editing-cloud
In the past, video editing has always been tied to a place, the edit bay. The Moviolas and Steenbecks of film were joined by linear tape editing suites. In the days of quad and C-format, these were large and very expensive. Non-linear editing, typified by Avid, transformed the process of editing video from a linear process to non-linear, much more like film editing. Even terms like “bins” were borrowed from film.
#editor#editing#cloud#film editingDecember 22, 2012, 05:16 PM
http://feedproxy.google.com/~r/industryhappenings/...
January 9th, 2013 @ 7pm at the Showbiz Store & Cafe Welcome in the new year with two amazing presentations! Dan Lebantal, ACE - Workflow and the Creative Process Plus Editing on Your iPad with TouchEdit We are thrilled to have for the first time, Jon Favreau's Editor, Dan Lebantal ACE (Iron Man, Cowboys an Aliens) who...
#film editor#film editing#event#dan lebental#lappgDecember 19, 2012, 07:51 AM
http://library.creativecow.net/devis_andrew/AE-Bas...
AE Basics - A Creative COW series for new users of Adobe After Effects. Lesson 61: In this tutorial looking at getting your production out of After Effects, Andrew Devis shows how to create and use watch folders.
#adobe#after effects#ae#film editing#media encoderDaniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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