It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 25, 2013, 03:05 PM
http://www.sfgate.com/opinion/diaz/article/Stay-ou...
United States senators should stay out of the film-editing business. It's equally dangerous whether it comes from the right or the left, or whether the objective is to shield the public from grim reality or to spare a fiction in a Hollywood film from being perceived as truth. Hollywood is Hollywood, where "based on a true story" is a signal to all but the most gullible moviegoer that artistic license is at work.
#editing#film editor#edit#zero dark thirty#politician#politicsJanuary 25, 2013, 02:53 PM
http://www.newstrackindia.com/newsdetails/2013/01/...
Mumbai, Jan 24 (IANS) It was "tricky" to edit "Kahaani" that was "hinging on one twist", but as an editor Namrata Rao pulled it off so well that the thriller has won her several awards. While enjoying the recognition, she admits talent behind the camera is "getting the deserved exposure" and that she is being "paid quite a decent amount" for her work.
#editing#film editor#namrata raoJanuary 25, 2013, 12:54 PM
http://www.screendaily.com/reports/interviews/edit...
Squyres talked with ScreenTech about his work on Life of Pi and the challenges of editing a movie where one of your main characters is a digitally created tiger.
#editor#ace#editing#tim squyres#life of pi#film editor#oscarJanuary 23, 2013, 02:34 PM
http://editorunderconstruction.blogspot.com/2013/0...
Craig McKay is one of the editors of the film, along with Reynald Bertrand, built, in his words, in the editing room. This entry is the appetizer for the following translation I am preparing What do you have to do? That is an interview with an editor of a documentary without dialogue. Enough said. Well, come on, say that the documentary is the host, which is the last I've seen and that the interview is a real source of knowledge. For now, I leave you with babies, it's very funny...
#craig mckay#editing#film editorJanuary 20, 2013, 03:55 PM
http://ace-filmeditors.org/tech-blog/tony-scott-12...
Editing is a subjective art. One person's brilliance is another's contrivance. There are many ways to the same end, but the end is telling a story. Telling it clearly, concisely, smartly. Tony Scott directed some of the most interestingly told stories I've seen. Top Gun was an action movie that never confused who was where...
#editing#film editor#tony scottJanuary 18, 2013, 01:14 PM
https://www.editorsguild.com/magazine.cfm?ArticleI...
William Goldenberg, A.C.E., enjoyed his stint on Ben Affleck’s Argo as a comfortable return to a budding collaborative relationship that he began with Affleck in 2007 on the filmmaker’s first movie, Gone Baby Gone (2007). His schedule didn’t permit him to work on Affleck’s second directorial effort, The Town (2010), but Goldenberg was ecstatic to reunite with him for Argo.
#ace#film editor#william goldenbergJanuary 17, 2013, 06:49 PM
https://www.aotg.com/norman-hollyn-teaching-and-usc/
Norman Holly, editor, author, and professor sat down with Gordon to discuss two new job positions that have opened up at USC, what’s required for these positions and his approach to teaching. If you are interested in applying go to www.uscfilmediting.wordpress.com.
#editor#editing#film editor#norman hollyn#usc#teaching#university of southern californiaJanuary 17, 2013, 04:24 PM
https://www.aotg.com/fred-raskin-on-editing-django-unchained/
From being an up and coming film editor on films such as Annapolis, Fast and the Furious Tokyo Drift and Fast Five to Quentin Tarantino's man in the cutting room on...
#editor#film editor#django#raskin#fred#unchainedJanuary 17, 2013, 12:31 PM
http://carpetbagger.blogs.nytimes.com/2012/12/05/b...
In some ways, the job of film editors is to make their work invisible. They hope that audiences don’t notice the editing and see only that a clear path has been drawn to the heart of the film’s story.
#editor#editing#film editor#post#flight#crash sceneJanuary 15, 2013, 02:42 PM
http://www.creativeplanetnetwork.com/the_wire/2013...
DALLAS—Continuing to grow its creative staff, Dallas editorial boutique Treehouse has hired editor Jayson Limmer. Formerly with 3008, Limmer arrives with more than eight years of experience in cutting spots for agencies in Dallas and other markets, and credits that include such brands as Charter, Western Union, Gamestop, Red Lobster, HEB and Zales.
#editor#film editor#treehouse#jayson limmerDaniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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