It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 3, 2013, 02:53 PM
http://feedproxy.google.com/~r/EditingWhiz/~3/N6qg...
Managing expectations is something every editor has to learn how to do, but what about managing your own expectations? In this Track Matte Moment, editor Chris Visser tells us about the time he bit off more than he could chew and paid dearly for his eagerness. Many young editors take on projects without thinking closely...
#editor#film editor#trackmatte#chris visserJanuary 3, 2013, 02:53 PM
http://feedproxy.google.com/~r/EditingWhiz/~3/N6qg...
Managing expectations is something every editor has to learn how to do, but what about managing your own expectations? In this Track Matte Moment, editor Chris Visser tells us about the time he bit off more than he could chew and paid dearly for his eagerness. Many young editors take on projects without thinking closely...
#editor#film editor#trackmatte#chris visserDecember 29, 2012, 08:41 AM
http://filmmakermagazine.com/61389-walter-murch-di...
Those are two of six questions editor Walter Murch argues that editors must ask themselves for every cut. The other four? That’s the deep stuff. Watch the video to find out.
#film editor#film editing#cut#walter murch#murch#rule of sixDecember 28, 2012, 02:26 PM
https://www.aotg.com/craig-mckay-a-c-e-discusses-the-editing-of-2/
Editor Craig McKay, A.C.E. talks about working with and learning from Dede Allen as they worked on "Reds."
#ace#craig mckay#film editor#film editing#redsDecember 24, 2012, 10:09 AM
https://www.aotg.com/craig-mckay-editing-silence-of-the-lambs-pt-2/
Editor Craig McKay, A.C.E. talks about the process of parallel cutting as seen in "The Silence of the Lambs."
#ace#craig mckay#film editor#film editing#american cinema editorsDecember 24, 2012, 10:08 AM
http://www.btlnews.com/awards/contender-editors-cr...
Crockett Doob started editing Beasts of the Southern Wild from a house on the Bayou three miles from the production's headquarters. Born in Brooklyn, he grew up making movies with director Behn Zeitlin from the time that they were six.
#film editor#film editing#crockett doob#affonso goncalvesDecember 22, 2012, 05:16 PM
http://feedproxy.google.com/~r/industryhappenings/...
January 9th, 2013 @ 7pm at the Showbiz Store & Cafe Welcome in the new year with two amazing presentations! Dan Lebantal, ACE - Workflow and the Creative Process Plus Editing on Your iPad with TouchEdit We are thrilled to have for the first time, Jon Favreau's Editor, Dan Lebantal ACE (Iron Man, Cowboys an Aliens) who...
#film editor#film editing#event#dan lebental#lappgDecember 20, 2012, 03:14 PM
http://www.creativeplanetnetwork.com/dv/feature/ed...
Few films have the potential to be as politically charged as Zero Dark Thirty. Director Kathryn Bigelow (The Hurt Locker, K-19: The Widowmaker) and producer/writer Mark Boal (The Hurt Locker, In the Valley of Elah) have evaded those minefields by focusing on the relentless CIA detective work that led to the finding and killing of Osama bin Laden by U.S. Navy SEALs. Zero Dark Thirty is more of a suspenseful thriller than an action-adventure movie. It seeks to tell a raw, powerful story...
#film editor#film editing#william goldenberg#dylan tichenorDecember 19, 2012, 07:54 PM
http://www.postmagazine.com/Video-Center/Gallery/A...
Michael Goldman's conversation with Jay Cassidy, discussing editing 'Silver Linings Playbook.'
#film editor#film editing#jay cassidyDecember 19, 2012, 07:54 AM
https://www.aotg.com/silver-linings-playbook-dir-russell-ed-cassidy/
DP/30: Silver Linings Playbook, director David O. Russell, editor Jay Cassidy - Shot in Los Angeles, December 2012
#film editor#film editing#jay cassidy#silver linings playbookDaniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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