To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Recut your Film...

November 30, 2012, 12:16 PM

http://www.chrisjonesblog.com/2012/11/how-to-recut...

The power of editing never ceases to amaze me – actors, writers, DPs, designers, all offer incredible contributions to a story, but it's the editor who takes that heady cocktail of ideas, creativity, drama, misfires, failures, surprises, technical problems etc etc that happened on set / location, and makes it all work as best it can.

#editing#film editor#recut
TIME Hiring Picture Editor

November 29, 2012, 10:10 PM

http://mediastorm.com/blog/2012/11/29/time-hiring-...

TIME.com is looking for an experienced and innovative online picture editor with a proven hard news background to curate visuals for the TIME.com homepage, site features, LightBox essays and photo galleries. Innovation and confidence is a must; TIME values team members who bring bold new ideas to an agile, forward-thinking, cutting-edge team – a team that is already refining the way it tells stories and fortifying a foundation for groundbreaking projects.

#editing#film editor#time#picture editor
Feature Issues

November 29, 2012, 02:58 PM

http://www.trackmattemoment.com/?p=29

The Track Matte Moment is now an international sensation with this fabulous moment from Canadian editor Gordon Burkell. In this TMM, Gordon tells us about his first feature as an editor, the giant fuck-up it turned out to be, and how it all became a great jumping off point to some great relationships and stories...

#editing#film editor#gordon burkell#aotg#canadian
Michael Wohl Interview: FCPX For Final Cut Pro

November 28, 2012, 08:01 PM

http://feedproxy.google.com/~r/DigitalFilmmakersPo...

In this episode with new host Michael Horton, Michael Wohl discusses the highly anticipated new features of version FCPX 10.0.6.

#fcpx#final cut pro#nle#film editor#editors#michael wohl
2 Hours with Veteran Film Editor Dede Allen

November 28, 2012, 08:46 AM

http://jonnyelwyn.co.uk/film-and-video-editing/2-h...

Dede Allen, Film Editor Interview Dede Allen was a veteran of the golden years of 60-70's Hollywood, editing films like The Hustler, Bonnie and Clyde, Serpico as well as other classics like The Breakfast Club, Wonderboys and over 30+ titles...

#film editor#dede allen#bonnie and clyde
Editor's Eye: Visualizing Your Film from the Post

November 27, 2012, 10:37 PM

http://joyoffilmediting.com/index.php/archives/515...

Laying out the rest of the groundwork for designing your project, this post concludes my four-part Laying out the rest of the groundwork for designing your project, this post concludes my four-part series on the magical, imagineering aspects and grounded engineering requirements of envisioning your film from an editorial standpoint. 3) Shoot right for postproduction...

#editor#editing#film editor#postproduction
Frame of Reference with Editor Todd Gill

November 27, 2012, 03:18 PM

http://twainthestoryteller.wordpress.com/2012/11/2...

Todd Gill is a freelance editor and colorist with over 12 years of experience in the post production industry. He has worked on many national, regional, and local TV campaigns, as well as, documentary, and corporate videos. Like most...

#editor#film editor#film editing#todd gill#local
LACPUG publish the 'Lost Interview' with Hollywood

November 27, 2012, 03:17 PM

http://www.fcp.co/render-fodder/videos/39-videos/9...

An early Christmas present. Michael Horton from the LACPUG has found the tapes from a 2006 interview with the film editor Dede Allen. Two hours of industry insight behind the editing of some big Hollywood films.

#film editor#film editing#lacpug#dede allen
Dede Allen, The Lost Interview - Part 4

November 27, 2012, 08:07 AM

https://www.aotg.com/dede-allen-the-lost-interview-part-4/

In part 4 of our evening with Dede Allen, taped at the April 2006 lafcpug meeting, we take more questions from the audience. We touch on the role of Producers, her role as a VP of Post Production at Warner Bros. -

#editor#editing#film editor#lacpug#dede allen
Dede Allen, The Lost Interview - Part 3

November 27, 2012, 08:07 AM

https://www.aotg.com/dede-allen-the-lost-interview-part-3/

In part 3 of our evening with Dede Allen, taped at the April 2006 lafcpug meeting, we take questions from the audience. We talk about cutting particular scenes on REDS, The HUSTLER, THE BREAKFAST CLUB, director Arthur Penn and others.

#editor#editing#film editor#lacpug#dede allen
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