It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 12, 2012, 02:07 PM
http://www.moviemaker.com/editing/article/an_fcpx_...
A lot has changed tech-wise in the last couple years when it comes to post-production needs. Things you used to think you needed to edit a movie (a giant, souped-up Mac Pro tower with a large, convoluted RAID system), are no longer necessary. So what exactly do you need nowadays to really get stuff done? Well, I run a full-on FCPX/DaVinci Resolve setup now in a couple different configurations at my company, We Make Movies: Post. It’s definitely not your traditional pro edit setup at this point...
#fcpx#final cut pro#nle#post#apple#buyers guideDecember 12, 2012, 11:35 AM
http://www.fcp.co/final-cut-pro/news/996-new-and-u...
In this months plugin roundup we have a new grading plugin from Pixel Film Studios, an interesting update to 3D rendering in FCPX with Super Charger and two new plugins from the FxFactory stable.
#fcpx#final cut pro#nleDecember 12, 2012, 07:12 AM
http://strypesinpost.com/2012/12/across-the-lines-...
In this day and age, many of us editors are starting to work on different NLEs quite frequently, so in this article, I am hoping to cross the great divide, and bridge the differences between the different NLEs, in terms of the edit keys and functions.
#avid#fcpx#adobe#cs6#after effects#ae#fcp7#media composer#mc6#premiere pro#final cut pro#nleDecember 11, 2012, 03:41 PM
http://www.fcp.co/final-cut-pro/news/994-discover-...
Another new feature explored in the 10.0.6 FCPX update from Steve Martin and Mark Spencer on this week's MacBreak Studio. This time they look at flexible clip connections.
#fcpx#final cut pro#nle#appleDecember 10, 2012, 09:12 PM
http://www.engadget.com/2012/12/10/custom-enclosur...
When the Xserve joined the great server farm in the sky, Mac-minded datacenters everywhere were left without a true rackmountable computer; even the current Mac mini wasn't designed for those kinds of tight spaces.
#fcpx#final cut pro#apple#fcp#xserver#x-serverDecember 10, 2012, 03:19 PM
http://www.noiseindustries.com/blog/announcements/...
PiPinator lets you create powerful animations without the need for keyframing. PiPinator is available exclusively for Final Cut Pro X. Read More
#fcpx#final cut pro#nle#pluginDecember 8, 2012, 08:15 PM
http://provideocoalition.com/ssimmons/story/early-...
I got taken down into one of those You Tube time sucks the other day. It came courtesy of a couple of tweets by Rob G Wilson that pointed to some very old Avid Media Composer and Final Cut Pro promo videos. If you want to realize just how far...
#avid#fcpx#media composer#mc6#final cut proDecember 8, 2012, 11:10 AM
http://neilsadwelkar.blogspot.ca/2012/12/whats-sce...
These are the commonest queries I get when the topic of an edit system comes up. So, here's the status on FCP 7 as of Dec 2012. And if the world really ends on the 21st Dec 2012, none of this will matter.
#editing#fcpx#final cut pro#nleDecember 7, 2012, 09:31 PM
http://alex4d.wordpress.com/2012/12/07/fcpx-using-...
Over at the fcp.co forum, a user named 'parchabg' was trying to get better results when exporting interlaced PAL from Final Cut Pro X. I suggested using Apple Compressor’s 'DV Stream' setting. It allows control over interlace field order.
#fcpx#final cut pro#nle#updateDecember 7, 2012, 09:29 PM
http://www.macprovideo.com/hub/final-cut/fcp-x-100...
Prior to Final Cut Pro X 10.0.6, the Share menu existed on its own and let you convert your project into one or many kinds of outputs, one at a time. You had to send an entire project (a huge issue for many editors) and you had to wait for the export to complete before you could continue. All that just changed with 10.0.6.
#fcpx#final cut pro#nle#updateDaniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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