It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
November 24, 2012, 09:44 AM
http://www.chrisjonesblog.com/2012/11/disk-access-...
With 50 Kisses and editing the videos for the LSF going on simultaneously, we have several USB drives being moved around several Avid computers to handle the massive data throughput. Yesterday I got a drive problem I have had before – for some reason, Avid or Windows, or a combination of the two, lock access to the Avid Media Folders.
#avid#media composer#mc6#nleNovember 23, 2012, 12:39 PM
http://www.4rfv.co.uk/industrynews.asp?id=154504
Discover the latest product enhancements which can make a significant difference to your editing, storage and media management requirements at the Avid /Tyrell Dublin event for the broadcast, post and production communities.
#avid#media composer#mc6#nle#eventNovember 23, 2012, 12:38 PM
http://alex4d.wordpress.com/2012/11/23/motion-nega...
When learning Apple Motion I suggest that people avoid using keyframes to animate parameters. Motion is much happier using behaviours to change values over time.
#avid#media composer#mc6#nle#motion#effectsNovember 21, 2012, 09:03 PM
http://www.digitalproductionbuzz.com/2012/11/matro...
The new release supports Avid Media Composer 6.5 across entire line of I/O and H.264 encoding products.
#avid#media composer#mc6#matroxNovember 21, 2012, 07:57 AM
http://feedproxy.google.com/~r/industryhappenings/...
Avid Learning Partner, Industry Film School has opened an extra week for Avid Editing Certification during the college winter break. Register before December 1st and receive a 10% discount on tuition. There are 5 seats available the week of December 31st and 5 seats for the week of January 7th. Classes are Mon-Fri 10am -5pm...
#avid#workshop#media composer#nle#mcNovember 21, 2012, 07:18 AM
http://library.creativecow.net/mcauliffe_kevin/Avi...
In this lesson, Kevin P McAuliffe shows how simple it is to edit music down to custom durations, and how a one frame dissolve, that's technically not possible, will help you get out of audio jams. He also shows you how to cut music montages without any video needed. If you work on a lot of music montages, this is the lesson for you.
#avid#media composer#nle#mcNovember 17, 2012, 08:54 AM
http://feedproxy.google.com/~r/industryhappenings/...
Now Avid FX comes bundled free with MC6 and Symphony 6. It is a 3D compositing, titling and effects application that can be used right on the avid timeline or as a standalone application. It integrates broadcast quality text generators, paint, rotoscoping, it has a full suite of tools to create and extrude vector objects, true 3D...
#avid#media composer#mc6#fxNovember 16, 2012, 05:29 PM
http://library.creativecow.net/mcauliffe_kevin/Avi...
In this lesson, Kevin P McAuliffe talks about the setup and follow though for a basic audio mix. Not only does he show you how simple it should be, but he also gives you a few great tips to speed up your mix, and get it done faster than ever.
#avid#media composer#mc6#nle#mcNovember 14, 2012, 09:05 PM
http://avidassteditor.com/2012/11/14/how-do-i-dele...
Autosequence automatically takes clips and puts them into a sequence at the timecode associated with the clips. Removing the black (filler) from the sequence would move the clips from their correct timecodes. A better solution might be to select all of the clips in the bin and drag them to the timeline window. In this...
#avid#media composer#mc6#autosequenceNovember 13, 2012, 10:09 PM
http://feedproxy.google.com/~r/industryhappenings/...
Join Avid Certified Master Instructor Jeff Greenberg as he demonstrates how to fix a variety of common post-production problems using Boris Continuum Complete in Avid Media Composer. AGENDA Removing Flicker and Fix Auto-Iris Camera Issues. Creating Top Notch Keys. Transform Dull Shots. Learning to solve a common problems that start to creep up in HD...
#avid#media composer#mc6#mcDaniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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