To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Editing in 2013

January 5, 2013, 04:14 PM

http://digitalfilms.wordpress.com/2013/01/05/editi...

Undoubtedly this year will continue the trend of fractured market share for edit systems. If you tally up every system in general use, your professional choices include NLE systems from Adobe, Apple, Avid, Autodesk, Boris/Media 100, Dayang, Editshare/Lightworks , Grass Valley, SGO, Sony and Quantel. In most US markets, the split in market dominance boils...

#avid#sony#autodesk#adobe#grass valley#nle#apple#lightworks#editshare#boris#media 100#systems#dayang#sgo#quantel
Lightworks cuts hand-drawn animation

January 5, 2013, 11:23 AM

http://www.redsharknews.com/post/item/337-lightwor...

Curated by animator and screenwriter Jack Feldstein, the film series paired New York filmmakers with poets to explore the relationship between poetry and the motion picture. I had the good fortune to be paired with the George Wallace, a prolific and talented poet whose imaginative style inspired the surreal science-fiction themes.

#nle#film editing#lightworks#cuts#animation
How to create effects for FCPX

January 4, 2013, 12:48 PM

http://alex4d.wordpress.com/2013/01/04/my-webinar-...

On Tuesday January 8th, 2013 I’ll be appearing on a webinar at Moviola.com hosted by Michael Horton of the Los Angeles Creative Pro User Group.

#fcpx#final cut pro x#nle#post
Moving your project from Final Cut into Avid

January 4, 2013, 08:15 AM

http://cutandsplice.me/moving-your-project-from-fi...

Here’s a video by Creative Cow, (a channel / site well worth following) which explains how to move projects successfully from Final Cut into Avid.. good tips..

#avid#fcpx#final cut pro x#nle
FCPX: The New Import Options (10.0.6)

January 3, 2013, 02:40 PM

http://www.macprovideo.com/hub/final-cut/final-cut...

The Final Cut Pro X 10.0.6 update introduced a new way of importing media. The old Import from Camera interface has grown to encompass all imports, so you’ll be able to see thumbnailed, scrubbable previews of all your DSLR footage. You can even import RED footage now — a huge boost for users of those cameras.

#fcpx#final cut pro#nle#post
Autodesk Smoke 2013 Software

January 3, 2013, 09:27 AM

http://www.avnetwork.com/av-technology/0002/autode...

“Autodesk is committed to making high-end effects and 3D increasingly available to a new generation, and the new Smoke is case in point. The Smoke team has fielded thousands of inquiries and product recommendations in the process of developing Smoke 2013. I’m so excited to announce it’s here,” said Mark Strassman, Autodesk Media & Entertainment vice president strategy and marketing.

#autodesk#nle#post#smoke 2013
CS6 Quicktip: Matte Remover Presets

January 2, 2013, 08:44 PM

http://www.audiomicro.com/royalty-free-music-blog/...

One of the things about using motion graphic elements is their ability to drastically change the appearance of your footage. For example, I can have a clip of a woman break dancing in a studio, which is a good piece of stock footage. If I were to drop a motion graphic clip of blinking lens flares or perhaps an abstract grunge clip vignette, it would definitely spice things up a bit.

#adobe#cs6#premiere pro#nle
Premiere Pro: Working with Markers

January 2, 2013, 01:14 PM

http://www.macprovideo.com/hub/premiere/premiere-p...

When editing in Premiere Pro or other NLE, markers are a big part of working smarter and not harder. Markers are a great tool for making notes, marking sync points, and creating chapter markers for Adobe Encore. In Premiere Pro there are three type of markers (Comment, Chapter and Web Link), and we will look at the first 2 types here. So let’s jump in and see how markers work and the improvements to markers in CS6 from CS 5.5.

#adobe#cs6#premiere pro#nle
My 2012 Top 15 Plug-ins

December 31, 2012, 10:53 AM

http://alex4d.wordpress.com/2012/12/31/my-2012-top...

As part of 685,000 blog views, visitors downloaded my Final Cut Pro plug-ins many thousands of times. If you follow my blog via email using the control on the top left of the blog page, you’ll get advance notice of new posts and plug-ins and more.

#fcpx#final cut pro x#plugins#nle
Transitioning to an Adobe Workflow...

December 30, 2012, 10:28 AM

http://www.screenlight.tv/blog/2012/12/19/transiti...

I was a FCP Editor/Trainer for 10 years. Since FCP X replaced FCP 7 I have been transitioning to an Adobe workflow. Like myself, a lot of former FCP editors are trying out Adobe's Production Premium (equivalent to FCP Studio) or the new Creative Cloud subscription model. In this article I'll look at using Adobe Prelude from a former FCP user's perspective.

#workflow#adobe#cs6#premiere pro#nle
1 9 10 11 12 13 36

© 2007-2024 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.