To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Can I multigroup with just one camera?

December 12, 2012, 02:47 PM

http://avidassteditor.com/2012/12/12/can-i-multigr...

No, unfortunately you can't.  The premise of multigrouping is to take the footage of multiple cameras and link them together so that they can be viewed simultaneously. Your best bet would be to string all the clips out into a sequence because all of the clips would be in the same location (like a multigroup) [...]

#avid#mc6#nle#mc#camera#media compressor
Moving to Avid? These Resources Will Help

December 12, 2012, 02:47 PM

http://www.premiumbeat.com/blog/avid-video-editing...

Making a switch to Avid for video editing? In this post, we provide some resources for any editor looking to quickly get up to speed on editing in Avid Media Composer. Tons of useful info!

#avid#media composer#mc6#nle
All I want for Christmas is...

December 12, 2012, 02:07 PM

http://www.moviemaker.com/editing/article/an_fcpx_...

A lot has changed tech-wise in the last couple years when it comes to post-production needs. Things you used to think you needed to edit a movie (a giant, souped-up Mac Pro tower with a large, convoluted RAID system), are no longer necessary. So what exactly do you need nowadays to really get stuff done? Well, I run a full-on FCPX/DaVinci Resolve setup now in a couple different configurations at my company, We Make Movies: Post. It’s definitely not your traditional pro edit setup at this point...

#fcpx#final cut pro#nle#post#apple#buyers guide
New/updated products in the FCPX plugin Roundup

December 12, 2012, 11:35 AM

http://www.fcp.co/final-cut-pro/news/996-new-and-u...

In this months plugin roundup we have a new grading plugin from Pixel Film Studios, an interesting update to 3D rendering in FCPX with Super Charger and two new plugins from the FxFactory stable. 

#fcpx#final cut pro#nle
Across the Lines: Editing in the Different NLEs

December 12, 2012, 07:12 AM

http://strypesinpost.com/2012/12/across-the-lines-...

In this day and age, many of us editors are starting to work on different NLEs quite frequently, so in this article, I am hoping to cross the great divide, and bridge the differences between the different NLEs, in terms of the edit keys and functions.

#avid#fcpx#adobe#cs6#after effects#ae#fcp7#media composer#mc6#premiere pro#final cut pro#nle
Accelerated Workflow in CS6

December 12, 2012, 07:09 AM

http://premierepro.net/editing/accelerated-workflo...

For all you lazy, smart and busy editors out there! And for the editors who’d like to earn some money on their editing! Due to ever-decreasing budgets, tight deadlines and quick turnaround we need to complete projects faster and speed up our creative timeline with time-saving techniques.

#adobe#cs6#premiere pro#nle
Discover flexible clip connections in Final Cut Pr

December 11, 2012, 03:41 PM

http://www.fcp.co/final-cut-pro/news/994-discover-...

Another new feature explored in the 10.0.6 FCPX update from Steve Martin and Mark Spencer on this week's MacBreak Studio. This time they look at flexible clip connections.

#fcpx#final cut pro#nle#apple
Flexible Connections in Final Cut Pro X

December 11, 2012, 03:40 PM

http://provideocoalition.com/mspencer/story/flexib...

This week Steve Martin from Ripple Training and I continue our discussion of the features introduced in the Final Cut Pro X 10.0.6 update (note that the 10.0.7 update released last week contained no additional new features, just fixes). This week,...

#fcpx#ripple training#nle#apple#flexible
Avid Adds Remote I/O Functionality to VENUE Mix

December 11, 2012, 03:35 PM

http://feeds.avid.com/~r/AvidPressRoom/~3/QYPpDVE7...

Upgrade equips live-sound engineers with key integration capabilities to enhance sound quality and deliver jaw-dropping shows

#avid#nle#io functionality
Picture in Picture Effect for Final Cut Pro X

December 10, 2012, 03:19 PM

http://www.noiseindustries.com/blog/announcements/...

PiPinator lets you create powerful animations without the need for keyframing. PiPinator is available exclusively for Final Cut Pro X. Read More

#fcpx#final cut pro#nle#plugin
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