It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 6, 2012, 03:12 PM
http://www.redsharknews.com/post/item/273-why-i-lo...
Some people say everything comes to you through the eyes, and with Lightworks, that was definitely true. Double click the shortcut and, wait for splash-screen, enter the workspace aaaand... nothing! Nothing except the toolbar, the onscreen console, and the project card (now called the import panel). So clean and minimalist. Oh, and the shark. A shark! That did it for me.
#nle#lightworks#editshare#sharkDecember 5, 2012, 03:11 PM
http://avidassteditor.com/2012/12/05/is-there-a-wa...
Unfortunately, there isn’t a way to lock the cameras to specific quadrants and believe me, I wish that there were! I’ve known some people to have “filler” clips/picts that “hold” the A, B, or C spot until that camera comes back on. However, as you can imagine, it is a lot more work. For the [...]
#editing#avid#media composer#mc6#nle#postDecember 5, 2012, 03:03 PM
https://seminars.adobeconnect.com/_a227210/p38n7zc...
Step up to Adobe® Premiere® Pro CS6 software, including more than 50 new features designed to make switching easier. Final Cut and Avid keyboard shortcuts, tight integration with Adobe After Effects® and Adobe Photoshop® software, unmatched performance, and more help you conquer even your most demanding projects.
#adobe#cs6#premiere pro#nleDecember 5, 2012, 03:00 PM
https://www.aotg.com/the-1989-avid-demo/
Bill Warner presentation of 1989 AVID1 Media Composer. AVID was a small startup company at that time, but the revolutionary AVID Media Composer concept was there since the begining. We are Avid MC users since 1993. This Demo Reel was running at NAB AVID booth, probably in 1990, this copy was a gift from Bill (in person) to Mr. Dorian after trade show.
#avid#nle#historyDecember 5, 2012, 02:57 PM
http://broadcastengineering.com/news/grass-valleys...
The International Association of Broadcast Manufacturers (IABM) held its annual conference Nov. 29-30 in Windsor, UK. The trade association represents broadcast and media technology suppliers, providing members with market research, event services and training.
#editing#grass valley#nle#alain andreoliDecember 5, 2012, 12:41 PM
http://www.tvtechnology.com/equipment/0082/sun-new...
TORONTO— Sun News Network provides approximately 96 hours of original content per week, ranging from breaking news to talk. The launch of Sun News last year presented some very demanding live production requirements. Exemplary operation with earlier Avid systems here—including Unity, NewsCutter, Media Manger, ControlAir and AirSpace—gave us the confidence to choose Avid to achieve our additional goals.
#avid#nle#network#sun newsDecember 5, 2012, 07:27 AM
http://www.macworld.com/article/2017469/how-to-app...
Using the right special effect can make your video match your creative vision. Whether it's simply tinting a shot to fit a mood, creating an old-fashioned film look, or turning a video clip into an abstract animated background, the right video effect is just a click away.
#fcpx#final cut pro x#nle#apple#special effectsDecember 4, 2012, 10:59 PM
http://www.postmagazine.com/Press-Center/Daily-New...
DALLAS - Post Asylum (www.postasylum.com), here, has opened a new Autodesk Smoke suite, which it will use for finishing and visual effects. The suite will be operated by commercial and feature film VFX veteran Michael
#smoke#nle#post asylumDecember 4, 2012, 10:53 PM
http://www.creativeplanetnetwork.com/the_wire/2012...
Dallas, TX – Post Asylum has announced the grand opening of their new Smoke Suite for finish and visual effects. Award winning commercial and feature film VFX veteran Michael "Pants" Sands will helm this latest addition to Post Asylum's creative toolset.
#smoke#nle#post asylumDecember 4, 2012, 10:51 PM
http://www.tuaw.com/2012/12/04/adobe-turns-30-this...
The Life at Adobe blog reminds us that Adobe Systems turns 30 years old this week. Wow, that's gone by pretty fast.
#adobe#nle#birthdayDaniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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