To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Practical Look at Improving Footage in CS6

November 24, 2012, 05:54 PM

http://www.macprovideo.com/hub/premiere/practical-...

In this article, we will look at improving footage with two new features in Premiere Pro CS6: Warp Stabilizer and Adjustment Layers. Instead of just going over the new features, I thought we would look at practical ways that you can use them, and any issues and workflows when using them.

#adobe#cs6#premiere pro#nle
Configuring Adobe Premiere Pro and After Effects

November 24, 2012, 05:48 PM

http://filmmakeriq.com/2012/11/maximum-power-confi...

Set up CS6 Production Premium for speed and efficiency. Join partners HP, AJA, and G-Tech to learn how to extend the capabilities of Adobe Premiere Pro CS6 and After Effects CS6 with powerful hardware add-ons.

#adobe#cs6#after effects#ae#premiere pro#nle#improve footage
Comparing Final Cut Pro X vs Premiere Pro CS6

November 24, 2012, 09:48 AM

http://jonnyelwyn.co.uk/film-and-video-editing/com...

Which is better? FCPX or Premiere? No Film School posted a write up about this 45 minute presentation from Ric Lanciotti of the The Pacific Northwest College of Art. Its an in depth video with point by point comparisons of...

#fcpx#adobe#cs6#premiere pro#final cut pro#nle
Getting your project into Resolve v9

November 24, 2012, 09:46 AM

http://jonnyelwyn.co.uk/avid/getting-your-project-...

Importing your edit into DaVinci Resolve If you're looking for a one stop place to find out how to import your project into DaVinci Resolve this quick post should get you in and out in any NLE. Final Cut Pro...

#fcpx#blackmagic#resolve#final cut pro#nle#color#edit
Disk Access Denied in Avid MC6 (A Fix)

November 24, 2012, 09:44 AM

http://www.chrisjonesblog.com/2012/11/disk-access-...

With 50 Kisses and editing the videos for the LSF going on simultaneously, we have several USB drives being moved around several Avid computers to handle the massive data throughput. Yesterday I got a drive problem I have had before – for some reason, Avid or Windows, or a combination of the two, lock access to the Avid Media Folders.

#avid#media composer#mc6#nle
FCPX plugin Skin Smoother

November 23, 2012, 03:41 PM

http://www.fcp.co/final-cut-pro/news/980-fcpx-plug...

Not an advert for the latest bottle of skin care products, but an electronic alternative instead. This USD39 plugin will hopefully take years off your subjects!

#fcpx#final cut pro x#nle#plugin#apple
Avid /Tyrell Host Dublin Event

November 23, 2012, 12:39 PM

http://www.4rfv.co.uk/industrynews.asp?id=154504

Discover the latest product enhancements which can make a significant difference to your editing, storage and media management requirements at the Avid /Tyrell Dublin event for the broadcast, post and production communities.

#avid#media composer#mc6#nle#event
Apple Motion tip

November 23, 2012, 12:38 PM

http://alex4d.wordpress.com/2012/11/23/motion-nega...

When learning Apple Motion I suggest that people avoid using keyframes to animate parameters. Motion is much happier using behaviours to change values over time.

#avid#media composer#mc6#nle#motion#effects
Plural Eyes 3: Slick Sound Syncing

November 23, 2012, 07:48 AM

http://www.redsharknews.com/post/item/237-plural-e...

More than one camera and perhaps multiple audio recorders as well, with none starting and stopping simultaneously: a common scenario for moviemakers, music video shooters and documentary producers working on a small team. NLEs have synchronisation features, but they're basic at best.

#nle#lightworks#editshare#sync#syncing#plural eyes
Adjustment Layers in Adobe Premiere Pro CS6

November 22, 2012, 12:57 PM

http://feedproxy.google.com/~r/richardharringtonbl...

Learn how to apply global effects in Adobe Premiere Pro CS6 to speed up your workflow. This video was recorded at the NAB Conference.

#adobe#cs6#premiere pro#nle
1 29 30 31 32 33 38

© 2007-2024 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.