It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
June 23, 2017, 06:23 AM
http://theangryvideoguy.com/index.php/2017/06/23/p...
Designed around the new RED IPP2 pipeline, it includes 103 3D LUTs for use in post and in camera (cameras with IPP2 support). You can use these LUTs in REDCINE-X regardless of color science used but they are intended to be applied to footage using the REDWideGamutRGB color and LOG3G10 gamma.
#color grading#red#color correction#luts#ipp2#phil hollandMay 5, 2016, 09:48 AM
http://www.premierebro.com/premiere-in-post/one-hu...
Go behind the edit of music video "Low"—One Hundred Thousand, with editor Mike Lowther. Edited in Premiere Pro.
#vfx#red#premiere pro#music video#premiere promosAugust 25, 2013, 08:46 AM
http://www.redsharknews.com/post/item/1015-red-get...
It has come as a massive surprise to users of red cameras as it has always been a much requested feature but the official line has always been that GPU cards were just not very good at handling the debayering and wavelet technology that is involved in working with red footage. Well this has all suddenly changed, with a new version of REDCINE-X that supports graphics card technology to take the load off the computers CPU
#redAugust 24, 2013, 05:22 PM
http://blogs.creativecow.net/blog/12988/avid-symph...
A container, like a glass containing liquid. That glass would be the metadata and the liquid in that glass would be the essence. I want to replace low quality liquid with high quality uncompressed master resolution liquid. Using the Resolve and Avid Symphony I can end up with an uncompressed .mxf file with embedded “Tape” name metadata created from the best known masters also known as RED, ALEXA, 5D, 7D, GoPro, P2, Phantom, Sequential Files, Tape, etc.
#avid#red#5d#gopro#alexa#tape#7d#p2#phantom#sequential filesApril 30, 2013, 07:12 AM
http://www.adorama.com/pages/Post-NAB-Event
Adorama's must-attend post-NAB event on Thursday May 9th puts top manufacturer's products on display in New York City, gives East Coast video pros a first-hand look at the latest gear from Sony, Canon, Blackmagic, RED and more
#sony#blackmagic design#blackmagic#red#canon#event#nyc#adorama#cinema camera#adorama camera#cameras#post-nab#free event#tradeshowApril 5, 2013, 04:26 PM
http://www.postmagazine.com/Publications/Post-Maga...
Take a look at HP's z820 Red Edition Workstation through my review in April's Post Magazine, online and offline.
#avid#adobe#red#hp#brady betzelJanuary 18, 2013, 01:17 PM
http://feedproxy.google.com/~r/ericbrodeur/~3/jF-v...
There are a few ways of importing RED media into the Avid depending on your workflow and if the DIT is providing transcoded media. RED source files contain a lot of metadata which is useful during certain phases of post production. Because AAF and MXF media don’t retain this information once transcoded, an Avid Log...
#media#transcoding#avid#media composer#mc6#red#nle#r3d#aleJanuary 12, 2013, 11:34 AM
http://digitalfilms.wordpress.com/2013/01/12/offli...
The 4K buzz seems to be steam-rolling the industry just like stereo3D before it. It's too early to tell whether it will be an immediate issue for editors or not, since 4K delivery requirements are few and far between. Nevertheless, camera and TV-set manufacturers are building important parts of the pipeline. RED Digital Cinema is...
#red#4k#r3d#online#offlineJanuary 8, 2013, 03:37 PM
http://training.abelcine.com/event/red-production-...
AbelCine has joined forces with DP Timur Civan and DIT Tom Wong to create a two day Red Epic & Scarlet workshop. This workshop gives attendees hands-on time with the latest Red cameras, and focuses on understanding camera operation, exposure techniques, and post production workflow.
#workshop#red#post#productionJanuary 7, 2013, 10:17 PM
http://training.abelcine.com/red-production-to-pos...
AbelCine has joined forces with DP Timur Civan and DIT Tom Wong to create a two day Red Epic and Scarlet workshop. This workshop gives attendees hands-on time with the latest Red cameras, and focuses on understanding camera operation, exposure techniques, and post production workflow.
#workflow#red#post#productionDaniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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