To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Limited Time: Get 400+ Avid FX / Boris RED Transit

December 20, 2012, 03:19 PM

http://www.borisfx.com/borisfxnews/2012/12/13/get-...

Dramatically expand your effects arsenal! Eye Scream Factory's presets for Avid FX v6 save you time and money, enhancing your effects library browser options with hundreds of completely customizable designer transitions, lower thirds, and animated titles. This limited-time bundle gives you 432 presets for just $99.95.

#red#borisfx#lower thirds#title animations
How to Fix Red Exclamation Mark Error in FCP7

December 8, 2012, 08:21 PM

http://jonnyelwyn.co.uk/final-cut-pro-fcp-apple-fc...

Solving Log and Transfer Error – The Red Exclamation Problem This particular FCP7 quirk can be frustratingly mysterious, yet the solution is incredibly simple. It happened to me the other day and after longer than desired googling I...

#fcpx#fcp7#red#mark#log and transfer
New version (2.1) of RED Apple Workflow

December 4, 2012, 10:50 PM

http://www.motionvfx.com/mblog/post,p2055.html

RED released a new version of its Red Apple Workflow Installer. Version 2.1 fixes an issue where image had a green tint when loading certain RMD files. If you want to download this update, head to RED's...

#fcpx#red#final cut pro#nle#r3d#rmd
Apple Updates RED Workflow White Paper

December 4, 2012, 01:28 PM

http://images.apple.com/finalcutpro/docs/RED_Workf...

Apple has published an updated white paper on RED workflows with Final Cut Pro X. The new edition takes into account version 10.0.6's native ingestion features for RED files as well as providing tips for working with multiple frame sizes and more.

#workflow#fcpx#red#apple#r3d
Low budget Australian feature The Precipice

December 4, 2012, 08:18 AM

http://www.fcp.co/uncatagorised/988-low-budget-aus...

As FCPX matures, we are seeing more and more features being cut on the software. The Precipice is a low budget Australian indie that chose to post on FCPX for flexibility and speed.

#fcpx#final cut pro x#red#apple#r3d
Red Announces 20 Mbps File Format

December 3, 2012, 02:40 PM

http://www.studiodaily.com/2012/12/red-announces-r...

For several years a disrupter in the acquisition business, Red Digital Cinema got into distribution late Friday with the announcement of its new Redray 4K Cinema Player. The product release includes a new .RED file format that carries 4K at just 2.5 MB/sec (20 Mbps), the RRencode plug-in for RedCine-X Pro that converts footage to .RED, and the Odemax content distribution platform.

#red#post#r3d#format
RED Digital Workflow of "Hitchcock"

November 28, 2012, 07:51 PM

http://filmmakeriq.com/2012/11/the-red-digital-wor...

Shooting on RED Epics at Red Studios in LA, all the DIT work and dailies of the film "Hitchcock" were handled by one operator working on a cart that housed two 12 core Tower Macs fitted with three Red Rocket cards and 70 terabytes of hard drive space.

#workflow#red#digital#dailies#r3d#hitchcock#la#dit#epic#studios
Lightworks 11.1 beta available

November 22, 2012, 12:53 PM

http://www.redsharknews.com/post/item/154-lightwor...

The latest version of Lightworks for Windows has been in private Beta for some time, and has reached the stage when it can be released for public Beta testing. The new Beta includes support for Blackmagic I/O as well as improved import times through a new ability to link to audio rather than copy it locally. AVCHD/MP4 files (MTS/M2TS) can now be transcoded for use in the Free version.

#red#nle#lightworks#editshare#beta
Basics - Red Import, Metadata Pass

November 21, 2012, 09:01 PM

http://www.blackmagicuser.net/topic/241-basics-red...

This is a tutorial for the Davinci Resolve color grading system. In this lesson we go over some basic settings, Red file import, anamorphic de-squeeze, reframing, and metadata color adjustments.

#blackmagic#red#color#metadata#colorist#basics#conforming
EDIT with RED and FCP X

November 21, 2012, 05:02 PM

http://library.creativecow.net/battistella_david/F...

Embracing FCP X and the RED Camera System from the earliest releases has been proven a successful choice for filmmaker David Battistella, whose enticing respect for the RED/FCPX workflow shines through from detailed explanation to his finished work. Everything we dreamed RED could be in post is beginning to unfold with the new FCP X update.

#editing#fcpx#red#final cut pro#nle#apple#r3d

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