It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 4, 2012, 08:18 AM
http://www.fcp.co/uncatagorised/988-low-budget-aus...
As FCPX matures, we are seeing more and more features being cut on the software. The Precipice is a low budget Australian indie that chose to post on FCPX for flexibility and speed.
#fcpx#final cut pro x#red#apple#r3dDecember 3, 2012, 02:40 PM
http://www.studiodaily.com/2012/12/red-announces-r...
For several years a disrupter in the acquisition business, Red Digital Cinema got into distribution late Friday with the announcement of its new Redray 4K Cinema Player. The product release includes a new .RED file format that carries 4K at just 2.5 MB/sec (20 Mbps), the RRencode plug-in for RedCine-X Pro that converts footage to .RED, and the Odemax content distribution platform.
#red#post#r3d#formatNovember 28, 2012, 07:51 PM
http://filmmakeriq.com/2012/11/the-red-digital-wor...
Shooting on RED Epics at Red Studios in LA, all the DIT work and dailies of the film "Hitchcock" were handled by one operator working on a cart that housed two 12 core Tower Macs fitted with three Red Rocket cards and 70 terabytes of hard drive space.
#workflow#red#digital#dailies#r3d#hitchcock#la#dit#epic#studiosNovember 22, 2012, 12:53 PM
http://www.redsharknews.com/post/item/154-lightwor...
The latest version of Lightworks for Windows has been in private Beta for some time, and has reached the stage when it can be released for public Beta testing. The new Beta includes support for Blackmagic I/O as well as improved import times through a new ability to link to audio rather than copy it locally. AVCHD/MP4 files (MTS/M2TS) can now be transcoded for use in the Free version.
#red#nle#lightworks#editshare#betaNovember 21, 2012, 09:01 PM
http://www.blackmagicuser.net/topic/241-basics-red...
This is a tutorial for the Davinci Resolve color grading system. In this lesson we go over some basic settings, Red file import, anamorphic de-squeeze, reframing, and metadata color adjustments.
#blackmagic#red#color#metadata#colorist#basics#conformingNovember 21, 2012, 05:02 PM
http://library.creativecow.net/battistella_david/F...
Embracing FCP X and the RED Camera System from the earliest releases has been proven a successful choice for filmmaker David Battistella, whose enticing respect for the RED/FCPX workflow shines through from detailed explanation to his finished work. Everything we dreamed RED could be in post is beginning to unfold with the new FCP X update.
#editing#fcpx#red#final cut pro#nle#apple#r3dNovember 20, 2012, 10:51 PM
http://www.premiumbeat.com/blog/red-workflow-in-pr...
Follow this RED to Premiere Pro workflow! Great tips for working with RED files natively in Premiere, modifying metadata and creating unique looks for your footage.
#red#post#r3d#technical#mochaimportNovember 20, 2012, 10:41 PM
http://www.mamoworld.com/index.php?option=com_cont...
As you may have heard, the new version 3.1 of mocha supports RED (R3D) files. We also updated MochaImport+ accordingly to support this file type.
#red#post#r3d#technical#mochaimportNovember 20, 2012, 03:34 PM
http://ryansalazar.net/index.php/2012/11/boris-fx-...
Download: 25 Free Presets for Boris RED v5.x and Avid FX v6.x Eye Scream Factory’s presets for Boris RED and Avid FX save you time and money, enhancing your effects library browser options with hundreds of completely customizable designer transitions, lower thirds, and animated titles. This new Sampler Pack includes 25 free designer transitions, animated [...]
#avid#red#nle#borisNovember 20, 2012, 03:17 PM
http://www.creativeplanetnetwork.com/dv/feature/re...
Digital camera development has been running in high gear for several years, outpacing any other portion of our industry. Thanks to a revolution started by RED, Nikon and Canon, videographers are now blessed with a wide range of small, affordable, high-performance imaging systems that have liberated us from the restrictions of the mundane 2/3" video camera.
#blackmagic#red#film#r3d#rethinking rawDaniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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