It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
November 20, 2012, 10:50 PM
http://provideocoalition.com/index.php/news/story/...
Digital Juice, the highly acclaimed developer of digital content for video and motion graphics artists announced today that it is releasing collections 12 and 13 of its highly successful ready2go Projects Templates for Sony Vegas Pro library.
#sony#nle#sony vegasNovember 19, 2012, 07:57 AM
http://editmansweden.com/2012/11/19/greatness-of-s...
Sonys S-log really transforms the PMW-F3 to a different camera. It’s as close to shooting raw with the F3 but much easier to deal with in post. The kicker is skintones. Faces looks so natural once graded and even though it was a long time since I worked with 35mm film material it at times reminds me of what I saw back then. I also see very similar grain structure compared to the Alexa and they both share about the same pixel count – about 3.5Mp.
#sony#camera#arri#s-log#slogNovember 16, 2012, 05:18 PM
http://www.sonycreativesoftware.com/garyspetz
Gary Spetz is an artist and the long-time producer and host of a number of how-to-paint and travel series on Public Television and the Create Channel. With so much to paint, Gary needs three TV shows to convey his enthusiasm. Gary gets his multiple messages across via Vegas Pro and Sound Forge Pro.
#sony#nle#sony vegas#vegasNovember 15, 2012, 01:50 PM
http://www.onlinevideo.net/2012/11/sony-vegas-user...
Anyone using Sony Vegas or any of the other Sony Creative Software titles, here’s an unexpected bonus: for a limited time you can use FlixMaster for USD20 per month.
#sony#vegas#flixmasterNovember 14, 2012, 02:07 PM
http://www.fcp.co/final-cut-pro/news/972-new-sony-...
We love finding new things at tradeshows and that's exactly what we did when we broke the news from NAB last year about the Sony XDCAM import plugin for FCPX. We couldn't get to Japan to discover the new FCPX XAVC import plugin that is on show at InterBEE 2012, but we know somebody who did.
#media#sony#fcpx#post#plugin#fcp#xavcNovember 9, 2012, 01:02 PM
http://www.4rfv.co.uk/industrynews.asp?id=153786
Whether a video format is either 'standard' or 'high definition' has always been a moving target. A continual game of leapfrog saw resolutions rise from 35 horizontal scan lines to 100, then from 405 to 625 lines in 1963. The modern era welcomed a standardisation of 625 as the PAL system, but debate soon began over what would constitute the new high definition. Today's definition of HD (1920 x 1080) has been 20 years in development.
#sony#4kNovember 8, 2012, 08:07 PM
http://www.tvtechnology.com/article/red-giant-soft...
PluralEyes is a software application that automatically synchronizes multiple video cameras by matching their audio waveforms. It can be used for any type of multicamera shoot, and eliminates the need for cameras to be synced by timecode or slate. It's also ideal for shooting with a DSLR camera and capturing audio on a separate recorder. PluralEyes 2.0 is designed to work seamlessly with Avid Media Composer, Final Cut Pro X and 7, Adobe Premiere Pro, Sony Vegas and Edius editing platforms.
#editing#avid#sony#fcpx#edius#red giant#final cut pro#sony vegas#plural eyesNovember 6, 2012, 10:21 AM
http://www.btlnews.com/crafts/post-production/film...
Hotel Transylvania, Sony Pictures Animation's monster hit comedy went through final color grading and stereo finishing in full 3D on Baselight. Completed at Colorworks, Sony Pictures Entertainment's digital intermediate facility, DI Colorist John Persichetti used Baselight to apply the finishing touches to the film prior to its worldwide release.
#sony#3d#filmlight#baselight#transylvania#monsterNovember 2, 2012, 10:22 PM
http://www.digitalrebellion.com/blog/posts/bugs_of...
Here's your second installment this week of critical, interesting or bizzare issues you should know about.AvidMC 6.5.0.1 released with XDCAM Edit While Capture support and several AMA improvementsNew Sony AMA plugins to support the new XDCAM features of 6.5.0.1...
#avid#sony#plugins#mc6#xdcamOctober 30, 2012, 08:15 AM
http://news.creativecow.net/story/870112
(Park Ridge, New Jersey--October 30, 2012) Sony’s newest version of its SxS memory card -- the SxS PRO+ series – is designed for stable and reliable capture of high frame rate 4K video content.
#sony#memory card#high frame rateDaniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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