It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
June 14, 2021, 08:38 AM
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https://randythomblog.wpcomstaging.com/2021/04/18/...
Good writers are usually trying to gradually lead you to a place that will surprise you when you get there, but which is also a place you think you might have anticipated if you had paid attention to all the clues.
#sound#storytelling#randy thomApril 17, 2021, 09:30 AM
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Motion Picture Sound Editors spread the wealth in the feature competition of its 68th Golden Reel Awards, giving Greyhound, The Trial of the Chicago 7, Tenet, Soul and Eurovision Song Contest: The Story of the Fire Saga one category win apiece.
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https://www.indiewire.com/2021/04/sound-of-metal-s...
At the heart of every filmmaking decision is one question: Where is the audience in relationship to what is happening on screen? One of the most common approaches to answering this question is through subjectivity; by putting the viewer into a character’s point of view (often, quite literally), a filmmaker can shape how we emotionally absorb and viscerally react to the story unfolding on screen.
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Praised for its immersive approach to mapping out a drummer’s confrontation with hearing loss, writer-director Darius Marder’s “Sound of Metal,” now contending for six Academy Awards, features a singularly story-driven use of sound.
#academy#oscars#sound#sound design#sound of metal#darius marderDaniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
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