To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Designing Chernobyl's disturbing, haunting sound:

June 6, 2019, 01:21 PM

https://www.asoundeffect.com/chernobyl-hbo-sound/

The sound in HBO's 'Chernobyl' - and the interplay between sound design and score - is outstanding, and it's a great pleasure to give you the story behind it in this exclusive A Sound Effect interview. Here, supervising sound editor Stefan Henrix and sound designer Joe Beal share how they made its eerily haunting soundscape, and the lengths they went to capture and design an authentic sound for the series:

#sound#sound design#sound effects#chernobyl#chernobyl sound design
Make Your Voice Sound Better In Premiere Pro

August 19, 2018, 04:43 PM

https://motionarray.com/tutorials/premiere-pro-tut...

In this Adobe Premiere Pro tutorial we show you our personal settings to take your voice from the raw recording to sounding silky smooth. We use three particular audio effects inside of Premiere Pro to enhance your audio narration or voiceovers. We realize that Audition is a powerful and effective program to work in, but if you're wanting to stay in Premiere Pro exclusively, this tutorial is for you! This an much more at www.motionarray.com

#audio#premiere pro#tutorial#sound#motion array#voiceover#audio editing#narration#voice enhancement#make your voice sound better
How to Score a Film (On a Budget)

January 29, 2018, 10:51 PM

https://blog.ritualmusic.com/how-to-score-a-film-m...

Have you ever watched the movie “Jaws” on mute? There’s something almost comical, at once animatronic, about the clunky robot approaching from below. Yet, introduce John William’s iconic, two-note ostinato, and the suspense is hypnotic, the fear paralyzing. In fact, Spielberg now credits this lasting score to “half of the success” of the film. This illustrates perfectly the purpose of composing music for a film.

#editing#audio#postproduction#filmmaking#sound#scoring
Premiere Pro Audio Workflow Part 2

June 8, 2017, 10:43 AM

http://www.premierebro.com/blog/premiere-pro-audio...

PART 2: TUBE-MODELED COMPRESSOR, PARAMETRIC EQ, AUDIO KEYFRAMING, HARD LIMITER — This Premiere Pro Audio Workflow Guide for Editors is a 2-part series that identifies "essential" audio tools in Premiere Pro, and shows how to use them in a real-world audio workflow. This series is modeled after the audio workflow of veteran editor and trainer, Paul Murphy, who shares his recommendations for producing a professional mix in Premiere Pro.

#audio#adobe#premiere pro#creative cloud#sound
Premiere Pro Audio Workflow for Editors Part 1

June 2, 2017, 01:51 PM

http://www.premierebro.com/blog/premiere-pro-audio...

PART 1: LOUDNESS AUTO-MATCH, AUDIO GAIN, AND LOUDNESS RADAR. This Premiere Pro Audio Workflow Guide for Editors is a 2-part series that identifies "essential" audio tools in Premiere Pro, and shows how to use them in a real-world audio workflow. Part 1 focuses on how to use the Loudness Auto-Match button, Audio Gain, and the Loudness Radar to achieve a target loudness, particularly for the web. This series is modeled after the audio workflow of veteran editor and trainer, Paul Murphy, who shares

#audio#adobe#mixing#premiere pro#sound
RTW Displaying Loudness Control Solutions at IBC

July 20, 2016, 01:23 PM

https://www.aotg.com/rtw-displaying-loudness-control-solutions-at-ibc/

RTW will be showcasing its full range of monitoring and metering software and hardware devices, as well as a few new product updates at IBC 2016 in Amsterdam (Stand 8.D89)

#audio#sound#rtw#ibc 2016#clc
NMPA Post Workshop #6 - Sound Design Using Adobe A

June 14, 2016, 12:56 PM

https://youtu.be/6dBZBC1LV40

NMPA Post Workshop #6 - Sound Design Using Adobe Audition | Saturday, June 18, 2016 1-3 pm Albuquerque, New Mexico

#editing#adobe#premiere#post#audition#sound
Linear Acoustic to Provide Audio for 2016 Olympics

April 18, 2016, 09:49 AM

https://www.aotg.com/linear-acoustic-to-provide-audio-for-2016-olympics/

Linear Acoustic to Enable NBC Olympics to Create Compelling 5.1 Channel Surround During its Coverage of 2016 Rio Olympics

#broadcast#sound#linear acoustic#rio#olympics#2016 olympics

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