It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 20, 2021, 04:59 PM
https://ghostvfx.com/post-page?id=1492
Ghost VFX artists received a 2021 Emmy® for Outstanding Visual Effects in a Single Episode for the Star Trek: Discovery installment “Su’Kal.” Led by Supervising Producer / Lead VFX Supervisor Jason Michael Zimmerman, the winning Ghost team includes VFX Supervisor Ivan Kondrup Jensen and VFX Producer Kristen Prahl. Also part of the winning team are VFX Supervisor Ante Dekovic, VFX Producer Aleksandra Kochoska, Lead VFX Artist Charles Collyer, and On Set VFX Supervisor Alexander Wood.
#vfx#behind the scenes#ghost vfxApril 23, 2021, 08:18 AM
https://www.awn.com/news/cosa-vfx-expands-global-l...
CoSA VFX has expanded its global leadership team with the promotion of Mark Nazal to the company’s first director of digital content, and Astrid Eve to global HR manager. In his new role, Nazal will play an integral part in the company’s long-term strategy in broadening its digital presence in an increasingly remote, globally unified work environment. Eve, formerly the studio’s Vancouver-based HR generalist, continues her growth at CoSA with her new appointment.
#vfx#expansion#cosaApril 21, 2021, 09:04 AM
https://www.provideocoalition.com/autodesk-explore...
Explore Autodesk’s latest developments, listen to professionals sharing their experience in different areas, all without ever leaving the comfort of your home, during the next edition of FMX.
#autodesk#vfx#animation#fmxApril 20, 2021, 08:53 AM
https://www.awn.com/news/rumble-vfx-officially-lau...
Soho-based Rumble VFX is now officially open after setting up their business at the end of 2019 – just a few months before the pandemic lockdown hit. Start-up plans were in flux, but industry veterans and company co-founders Tim Zaccheo, Richard Costin, Joe Cork, and Max Wright met the challenge; the team were soon up and running remotely.
#vfx#tim zaccheo#richard costin#joe cork#max wrightApril 20, 2021, 08:50 AM
https://www.allanmckay.com/295/
I want to break down a discussion I had with Hugo Martin, the Creative Director for DOOM and DOOM Eternal, and all the key takeaways I learned from speaking to him. I’m really excited about this. It’s a bit of a different formant. I did an Episode with Hugo a while back and it was in between DOOM and Call of Duty. At the time, we couldn’t get clearance. But because so many amazing insights were shared, I wanted to go ahead and do it through this format.
#vfx#games#doom eternalApril 15, 2021, 08:19 AM
https://beforesandafters.com/2021/04/15/behind-her...
'BEHIND HER EYES' GETS THE VFX BREAKDOWN TREATMENT
#vfx#behind her eyesApril 15, 2021, 08:16 AM
https://www.awn.com/news/fmx-2021-dive-wandavision...
FMX 2021 Online has announced more presentations have been added to their already extensive line-up. Take a look at the Marvel cinematic universe’s television miniseries WandaVision and get insights into one of this year’s biggest visual effects films, Warner Bros. Entertainment's Godzilla vs. Kong.
#vfx#fmx#wandavision#godzilla vs kongApril 14, 2021, 08:52 AM
http://www.cgchannel.com/2021/04/toolchefs-ships-a...
Toolchefs has shipped Atoms VFX 4.0, the new version of its crowd animation system for Maya and Houdini.
#vfx#maya#houdini#toolchefs#atomsApril 13, 2021, 08:55 AM
https://www.artofvfx.com/zack-snyders-justice-leag...
Back in 2013, John « DJ » DesJardin talked to us about his visual effects work on Man of Steel. He went on to work on Batman v Superman: Dawn of Justice and Justice League. He’s back today to talk about the challenges of bringing director Zack Snyder’s vision to life on Zack Snyder’s Justice League.
#vfx#justice league#zack snyderApril 13, 2021, 08:53 AM
https://www.awn.com/vfxworld/goodbye-kansas-brings...
Goodbye Kansas Studios has shared one of their recent projects, delivering 268 shots and 13 assets for the Netflix series Behind Her Eyes. Based on the book by Sarah Pinborough, the mini-series follows the story of a single mother whose world is thrown upside down when she begins an affair with her new boss. Production took place last year on location at Ardkinglas House, a listed country house on the shores of Loch Fyne, Scotland, and in the studio at Wembley, London.
#vfx#goodbye kansas#astralDaniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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