To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Chicken Bone FX Showreel 2021

April 9, 2021, 08:49 AM

https://www.artofvfx.com/chicken-bone-fx-showreel-...

Let’s have a look at the work of Chicken Bone FX made on The Queen’s Gambit, To All The Boys: PS I Love You, Westworld – Season 3, Krypton – Season 2 and many more in their latest showreel...

#vfx#the queen's gambit#chicken bone#westworld
AWN-FuseFX VFX Artist Interview Series Part 3

April 9, 2021, 08:46 AM

https://www.awn.com/news/watch-awn-fusefx-vfx-arti...

AWN is pleased to share the last installment of a three-part video interview series with key artists from award-winning VFX studio FuseFX discussing the inner workings of some of your favorite shows, from Criminal Minds to CSI, as well as strategies and realities of managing complex visual effects productions while working safely in the COVID-19 pandemic.

#vfx#fusefx
Cosmoball – Games: VFX Breakdown by Main Road Post

March 30, 2021, 08:59 AM

https://www.artofvfx.com/cosmoball-games-vfx-break...

Russian studio Main Road Post has released this VFX Breakdown about the Games sequences from the blockbuster sci-fi movie, Cosmoball...

#vfx#breakdown#games#cosmoball
THIS MIGHT JUST BE THE GREATEST VFX SHOT IN ‘WANDAVISION’

March 29, 2021, 08:47 AM

https://beforesandafters.com/2021/03/29/this-might...

It might not be the most technically complicated shot in WandaVision, but when this fun morph showing a young Billy and Tommy ‘growing’ into older versions of themselves, I have to say I let out a little shrill.

#vfx#wandavision
How WandaVision’s visual effects gave TV magic a Marvel makeover

March 28, 2021, 12:36 PM

https://www.digitaltrends.com/movies/wandavision-v...

There was a lot of pressure on Marvel’s WandaVision when it premiered in January following a year without any movies or series set in the Marvel Cinematic Universe. The show delivered on those high expectations, though, with one of Marvel’s most unique projects to date.

#vfx#marvel#wandavision
VISION VS THE VISION: A VFX HOW-TO

March 26, 2021, 08:37 AM

https://beforesandafters.com/2021/03/26/vision-vs-...

This week at befores & afters we’ve previously looked at some of the different VFX studios involved in Vision visual effects for WandaVision.

#vfx#wandavision
WATCH: ‘A Discovery of Witches’ VFX Breakdown

March 26, 2021, 08:34 AM

https://www.awn.com/news/watch-discovery-witches-v...

Double, double toil and trouble! The second season of Sky One’s A Discovery of Witches premiered in January, but the on-screen magic isn’t only for the coven! Axis Studios recreated an entire historically accurate Elizabethan London in CG for the season, delivering 100 shots for 10 episodes over a span of 18 months, which included working throughout the challenging COVID-19 pandemic.

#vfx#witches
Commercial VFX team joins HARBOR LA studio

March 24, 2021, 08:53 AM

https://www.shots.net/news/view/commercial-vfx-tea...

HARBOR CEO, Zak Tucker stated, “This expansion of our talent and EP roster in HARBOR’S LA studio is in line with the company’s continued drive to build upon our success and offer innovative creative artistry to our clients.”

#vfx#la#harbor

© 2007-2024 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.