It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
April 13, 2021, 08:53 AM
https://www.awn.com/vfxworld/goodbye-kansas-brings...
Goodbye Kansas Studios has shared one of their recent projects, delivering 268 shots and 13 assets for the Netflix series Behind Her Eyes. Based on the book by Sarah Pinborough, the mini-series follows the story of a single mother whose world is thrown upside down when she begins an affair with her new boss. Production took place last year on location at Ardkinglas House, a listed country house on the shores of Loch Fyne, Scotland, and in the studio at Wembley, London.
#vfx#goodbye kansas#astralApril 12, 2021, 08:21 AM
https://www.artofvfx.com/bafta-2021-the-winner-of-...
The BAFTA have announced the winners for the EE British Academy Film Awards 2021!
#vfx#visual effects#special effects#bafta#tenetApril 10, 2021, 09:12 AM
https://www.cartoonbrew.com/business/fusefx-buys-a...
Rising Sun will still operate under the same brand, and co-founder Tony Clark will continue to lead the studio. There will be no operational changes and the team will look to hire more staff. Responding to a boom in demand for its services, the company recently took over the building next to its Adelaide headquarters and refurbished it to create space for 80 artists.
#vfx#australia#fusefx#captain marvelApril 9, 2021, 08:49 AM
https://www.artofvfx.com/chicken-bone-fx-showreel-...
Let’s have a look at the work of Chicken Bone FX made on The Queen’s Gambit, To All The Boys: PS I Love You, Westworld – Season 3, Krypton – Season 2 and many more in their latest showreel...
#vfx#the queen's gambit#chicken bone#westworldApril 9, 2021, 08:46 AM
https://www.awn.com/news/watch-awn-fusefx-vfx-arti...
AWN is pleased to share the last installment of a three-part video interview series with key artists from award-winning VFX studio FuseFX discussing the inner workings of some of your favorite shows, from Criminal Minds to CSI, as well as strategies and realities of managing complex visual effects productions while working safely in the COVID-19 pandemic.
#vfx#fusefxApril 7, 2021, 08:19 AM
https://www.artofvfx.com/we-can-be-heroes-vfx-brea...
Let’s discover how the superheroes of the Netflix film We Can Be Heroes got their superpowers from the teams of Weta Digital...
#vfx#heroes#we can be heroes#wetaApril 3, 2021, 09:08 AM
https://www.cgw.com/Press-Center/Web-Exclusives/20...
Led by VFX Supervisor James David Hattin, VFX Legion's team delivered a challenging mix of shots for “Half Brothers,” director Luke Greenfield's new film for Focus Features.
#vfx#legion#half brothersApril 3, 2021, 09:07 AM
https://beforesandafters.com/2021/04/03/video-chao...
SHOWCASES RODEO FX’S WORK ON THE FILM.
#vfx#chaos walkingApril 3, 2021, 09:05 AM
https://www.creativeplanetnetwork.com/the-wire/vfx...
Led by VFX Supervisor James David Hattin, VFX Legion’s team delivered a challenging mix of shots for ‘Half Brothers,’ director Luke Greenfield’s new film for Focus Features. A fully remote company since its inception, Legion efficiently created a mix of complex photorealistic effects for the comedic drama.
#vfx#legion#half brothersApril 2, 2021, 02:53 PM
https://www.artofvfx.com/the-mandalorian-season-2-...
Let’s have a tour behind the scenes of the second season of The Mandalorian with the teams of Industrial Light & Magic and the filmmakers showing their groundbreaking virtual production technology!
#vfx#virtual production#mandalorianDaniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2024 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.