October 1, 2010, 12:55 PM
http://www.videography.com/articlefeatures/99106
Wall explains the workflow: "From our standpoint as editors, it was a very easy film to work on. Tyler Nelson and Alex Olivares, the assistant editors, handled all the data management and file conversions at David's production offices. They converted the native RED camera files to Apple ProRes 422 (LT) for us. After that, it was pretty much the same for us as on Button or Zodiac, except that this time we were working with 1920x1080 images, which was great."
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2024 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.