September 4, 2014, 05:17 PM
http://blogs.indiewire.com/thompsononhollywood/why...
It is no small irony that a new film by Ken Burns, the director who has done more than any other to infuse life into the past, gets treated, by some, like an already-ossified product upon release. Whereas so much buzz surrounds the latest film festival darling — I haven’t seen it yet, but I’m hearing (and believing) that Joshua Oppenheimer’s "The Look of Silence" may be the greatest documentary ever — many of us give the latest work by Burns the same attention as the year’s edition o...
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