Why ProRes encoding in post is inferior to recordi

May 25, 2016, 05:00 AM

http://photo.it-enquirer.com/2016/05/prores-encodi...

Shooting in ProRes or DNxHD has several benefits if you’re working with Final Cut Pro X or Avid Media Composer. Of course you can always encode or transcode from a different codec to either of these in post-production, but that costs time — which may be valuable.

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