Why We Make That Edit-part 1 of 4

December 10, 2011, 08:19 AM

https://www.aotg.com/why-we-make-that-edit-part-1-of-4/

<a href="http://www.aotg.com/index.php?page=list_full_media&article_id=8959 ">Why We Make That Edit part 1 of 4</a> <br /> <a href="http://www.aotg.com/index.php?page=list_full_media&article_id=8960 ">Why We Make That Edit part 2 of 4</a> <br /> <a href="http://www.aotg.com/index.php?page=list_full_media&article_id=8961 ">Why We Make That Edit part 3 of 4</a> <br /> <a href="http://www.aotg.com/index.php?page=list_full_media&article_id=8962 ">Why We Make That Edit part 4 of 4</a> <br /><br /> <iframe src="http://player.vimeo.com/video/33408900?color=ff0179" width="400" height="225" frameborder="0" webkitAllowFullScreen mozallowfullscreen allowFullScreen></iframe><p><a href="http://vimeo.com/33408900">Why We Make That Edit-part 1 of 4</a> from <a href="http://vimeo.com/user3491082">Editors&#039; Lounge</a> on <a href="http://vimeo.com">Vimeo</a>.</p>

We put together this panel of experienced editors to discuss why we make the edit, not how. With over 100 years experience on the panel, there is a lot to learn about the creative process here. Mark Goldblatt, Feature Editor: from Piranha in 1978 to Rise of the Planet of The Apes in 2011. Andrew Seklir, Episodic TV Editor: Battlestar Galactica, Warehouse 13. Derek McCants, Reality TV Editor: Big Brother, Sarah Palin's Alaska.