November 1, 2016, 12:30 PM
http://24p.com/wordpress/?p=340
An interesting workflow challenge was brought to my attention via my friend Job ter Burg ACE/NCE. He was looking for a LUT to re-edit a version of a trailer that was already in XYZ color space used in DCP delivery. The desire was to edit while looking at proper color space rather that the rather greenish look of XYZ, especially when working with producers and directors.
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