Article Humour Video Blog Audio Industry News Site News Tutorial Press Release Events

To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Colorist Chat: Kevin Shaw on Grading, Instructing,

November 10, 2020, 02:24 PM

https://postperspective.com/colorist-chat-kevin-sh...

Veteran colorist Kevin Shaw, who spends a lot of his time consulting and teaching through the International Colorist Academy, works on projects through his company Final Color, which provides color grading and restoration services. The very busy Shaw is also founder and president of the five-year-old Colorist Society International, Continue reading → November 9, 2020 The post Colorist Chat: Kevin Shaw on Grading, Instructing, CSI appeared first on postPerspective.

Solutions to Resolve 6: Clipped Exports – the YU

October 12, 2020, 03:00 PM

https://www.provideocoalition.com/solutions-to-res...

Are you inadvertently clipping your exports from Resolve? I wrote an article about this a while ago, Solutions to Resolve 4: Full data and video levels in DaVinci Resolve – don’t clip your proxies and transcodes. It turns out that this is not the end of the story.

A Color Theory Reading of Jane Campion’s ‘In t

September 17, 2020, 01:12 PM

https://filmschoolrejects.com/color-theory-in-the-...

In our new column Color Code, Luke Hicks chooses a handful of shots from a favorite film in order to draw out the meaning behind color and how it plays into both the scene and the film as a whole. For his third entry, he analyzes Jane Campion’s In the Cut.

Steve Bayes Explains Colorlab Ai, the Color Gradin

September 11, 2020, 01:24 PM

https://www.fcp.co/final-cut-pro/articles/2306-ste...

The artificial intelligence based colour grading system Colorlab Ai certainly looks like it could transform the grading process. Colorlab AI advisor and investor Steve Bayes explains why he became involved and how this technology should eventually become available to Final Cut Pro X users.

Colourlab Ai: Artificial Intelligence revolutioniz

September 9, 2020, 04:00 PM

https://www.provideocoalition.com/colourlab-ai-art...

Color Intelligence, a Hollywood-based startup, has announced a ‘Factory Driver Program’ offering early access to its groundbreaking software Colourlab Ai, a revolutionary color grading system. Try it now! Artificial Intelligence here, AI there. It’s everywhere, and while it is a marketing buzzword, it also reflects the changes AI brought to many industries. Color grading, for [...]Read More...

Is ACES right for you? by Oliver Peters

August 24, 2020, 01:17 PM

https://www.provideocoalition.com/is-aces-right-fo...

In the film days, a cinematographer had a good handle on what the final printed image would look like. The film stocks, development methods, and printing processes were regimented with specific guidelines and limited variations. In color television production, up through the early adoption of HD, video cameras likewise adhered to the standards of Rec. 601 (SD) and Rec. 709 (HD). The advent of the video colorist allowed for more creative looks derived in post. Nevertheless, video directors of pho...

A Color Theory Reading of Olivier Assayas' 'Irma V

August 20, 2020, 01:21 PM

https://filmschoolrejects.com/irma-vep-color-theor...

In our new column Color Code, Luke Hicks chooses a handful of shots from a favorite film and analyzes them in detail to draw out the meaning behind specific colors and how they play into their scene and the film as a whole. Inspecting color is like inspecting the soul of a film. It’s an endless endeavor to better understand the artists’ intentions and our connection to the work. For his second entry, Luke digs into Olivier Assayas’ Irma Vep.

Remote Production with Hostage Films

August 12, 2020, 03:50 PM

https://www.aotg.com/remote-production-with-hostage-films/

When developing a digital and social spot for Candleosophy meditation candles, director Ruben Latre was faced with a new challenge, one he had not yet encountered during his 20 year career: due to COVID-19 social distancing and stay-at-home requirements, Ruben was tasked with producing the commercial from start to finish in his home in New York City.

#blackmagic design#ultrastudio 4k#davinci resolve studio#micro cinema camera
Creating PSAs ASAP for Magellan Healthcare

July 21, 2020, 07:57 PM

https://www.aotg.com/creating-psas-asap-for-magellan-healthcare/

Magellan Healthcare teams up with Sugar Skull Creative and Director/DP Adam Goldfine to quickly create content to aid with COVID-19 awareness

#blackmagic design#davinci resolve studio#ursa mini pro#blackmagic raw
Colorfront intros Transkoder with remote/cloud cap

July 9, 2020, 01:41 PM

https://postperspective.com/colorfront-intros-tran...

Colorfront, which provides dailies and transcoding, has a new remote working/cloud initiative that lets TV and film post users to continue working safely and efficiently to fulfill the growing global demand for content during the worldwide COVID-19 crisis. Colorfront has been developing its remote working practices, particularly cloud-based operations, over many years. Continue reading → July 8, 2020 The post Colorfront intros Transkoder with remote/cloud capabilities appeared first on p...

© 2007-2024 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.