It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 12, 2022, 08:43 AM
https://www.postmagazine.com/Press-Center/Daily-Ne...
NEW YORK CITY — Company 3 (company3.com) has added accomplished colorist Nick Metcalf to its growing artist roster in New York. Formerly senior colorist at The Mill, Metcalf has colored campaigns for brands such as Polo Ralph Lauren, Estee Lauder, Harley-Davidson and Cadillac. He has also collaborated with many leading filmmakers in the commercial space, including Wally Pfister, ASC; Michel Gondry; Diego Contreras; Gordon Von Steiner; and the Hudson Dusters.
July 17, 2020, 01:07 PM
https://www.sgo.es/mwf-dcp-megapack-support/
SGO has released a new upgrade of Mistika Workflows, bringing improved functionality enhancements with an even greater flexibility and customization of media management, transcoding and delivery processes. One new feature is Render Priority functionality, displayed as yellow triangles on the nodes that allow the users to determine the execution order according to their preferences. “The [...]
November 20, 2019, 01:49 PM
https://www.studiodaily.com/2019/11/madrids-pigmen...
Blackmagic Design claimed a new win for DaVinci Resolve as Madrid’s Pigmento Color Grading said it has adopted Resolve Studio as part of an upgrade emphasizing HDR grading and IMF delivery. Pigmento Color Grading Suites Workstation CPUs Intel Dual Xeon SuperMicro processors Workstation Graphics Nvidia Tesla K80 Nvidia RTX2080ti Reference Monitors Sony BVM-HX310 Dolby PRM […] The post Madrid’s Pigmento Color Grading Switches to Resolve appeared first on Studio Daily.
May 2, 2019, 09:18 AM
http://www.postmagazine.com/Video-Center/Gallery/N...
FilmLight had a number of grading solutions on display at NAB. This video highlights the company’s Prelight, Daylight and Baselight tools, as well as solutions for Avid, Nuke and Flame workflows. In addtion, colorists Doug Delaney (Captain Marvel) and Andrea Chlebak (Elysium, Chappie) stop by. Replay NAB2019 with FilmLight from FilmLight on Vimeo.
April 15, 2015, 07:19 AM
http://www.videoguys.com/blog/new-at-nab-get-vegas...
One film that truly perfected Vegas lighting and all of sin city’s debauchery, is Terry Gilliam’s 1998 film Fear and Loathing in Las Vegas. Gilliam and cinematographer, Nicola Pecorini, chose to illuminate Fear and Loathing in hallucinatory neon colors to illustrate the effects of each drug the characters take. Overall the color play creates a Read More The post New at NAB: Get Vegas Lighting with Color Fixer Pro appeared first on Videoguys Blog.
April 11, 2015, 08:34 AM
http://www.sportsvideo.org/nab2015/2015/04/the-tif...
The Tiffen Company (Booth C6019) will launch version 4 of its Tiffen Dfx digital filter suite at NAB 2015. Designed to work with industry-standard photo- and video-editing applications, the plug-in package replicates Tiffen optical filters Rosco and Gam gobos and gels.
February 2, 2015, 05:28 PM
http://www.latimes.com/entertainment/envelope/coto...
Five years after launching its digital intermediate facility, Sony is turning over operations to Deluxe Entertainment, one of Hollywood's leading post-production and digital asset management companies.
January 20, 2015, 08:23 PM
http://nycppnews.com/technicolor-buys-premise-comp...
Technicolor-PostWorks New York announced that it has acquired The Room, the on-premise finishing studio that has been in-house for the past three years.
November 20, 2014, 12:44 PM
http://www.broadcastbeat.com/goldcrest-post-buys-p...
New York post house chooses Quantel again for high quality color and finishing USA East Coast creative boutique, Goldcrest Post, has invested in two Quantel Pablo Rio 4K color and finishing systems and Pablo PA conform, preparation and workflow software to […]
July 30, 2014, 09:57 AM
http://www.btlnews.com/crafts/post-production/base...
As part of its move to a new production base, ITV’s popular continuing drama, Coronation Street, has implemented a new grading workflow based around FilmLight technology. As well as a Baselight ONE grading system with Slate control surface, five of the productions edit suites are equipped with Baselight Editions, putting the creative grading toolset directly inside Avid.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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