It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
March 8, 2016, 06:12 AM
http://cinescopophilia.com/sound-devices-nab-2016-...
Out on the market for less than a year, the 688 12-input, 16-track portable mixer/recorder is joined by a pair of new innovative accessories: the optional SL-6 powering and wireless system, and the CL-12 linear fader controller. When deployed in the field, the 688 plus the SL-6 and CL-12 bring crucial versatility to the sound mixer’s toolkit. Using the 688 with the SL-6 provides streamlined powering and wireless control, while the CL-12, which integrates with any 6-Series mixer/recorder, enabl...
March 7, 2016, 10:29 AM
http://reaperblog.net/2016/03/reaper-workflow-tips...
A little while ago I put up some tips to work smarter in the DAW and asked for tips and tricks from the audience. In this video I read some of the comments that came in from YouTube.
March 6, 2016, 07:26 AM
http://designingsound.org/2016/03/sunday-sound-tho...
As the year continues, many of these posts will be philosophical in nature. Some will be in contradiction to previous postings. These are not intended as truths or assertions, they’re merely thoughts…ideas. Think of this as stream of consciousness over a wide span…though this week’s is a physiological than philosophical This week’s thought isn’t anything […]
March 4, 2016, 06:14 PM
http://www.postmagazine.com/Video-Center/Gallery/T...
Audio/multimedia producer Matt Hines of iZotope explains how pros can meet today’s loudness standards to deliver consistent viewing experiences throughout the world.
March 4, 2016, 06:11 PM
http://www.studiodaily.com/2016/03/technicolor-hir...
Supervising Sound Editor Scott Gershin is the new director of sound editorial at Technicolor, where he will head a new department creating sound for video games, virtual reality, theme parks, installations, and other immersive experiences. Gershin's department will be based … more » The post Technicolor Hires Sound Designer Scott Gershin to Launch New Gaming/VR Department appeared first on Studio Daily.
March 4, 2016, 10:46 AM
http://www.avidblogs.com/mixing-conferences-and-co...
The article Mixing Conferences and Corporate Events with S6L by Derk Hagedorn appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..
March 2, 2016, 11:24 AM
http://www.twice.com/news/audio/dolby-atmos-discs-...
The selection of physical video discs with Dolby Atmos soundtracks grew to 46 yesterday with the release of 12 UHD Blu-ray titles, and the Atmos selection will grow to 50 by the end of the month, Dolby announced.
March 2, 2016, 11:24 AM
http://www.creativefieldrecording.com/2016/03/02/c...
As field recordists, we all know that venturing out of the studio to capture sound effects takes thought, effort, and skill. Weather, network demands, and milestone deadlines highlight another challenge: time. Superior field recordings are diligent and comprehensive; neither aspect can be rushed. That’s a shame, since sound fx editing becomes easier when pros have multiple variations of similar sound clips.
March 1, 2016, 05:42 AM
http://designingsound.org/2016/03/audio-design-for...
Guest Contribution by Todd Baker Land’s End has been de […]
March 1, 2016, 05:41 AM
http://www.audiomediainternational.com/show-news/p...
One of the numerous changes for Prolight + Sound 2016 from 5 to 8 April will be the expanded and restructured seminar programme.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2024 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.