To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Learn How to Sync Audio and Video in Adobe Premier

December 31, 2015, 10:12 AM

http://www.videoguys.com/blog/tutorials-tips-trick...

Learn an expert’s process for syncing your external audio with your video capture using none other than Adobe Premiere Pro CC. App Genius #5: How To Sync Audio and Video In Adobe Premiere Pro CC Digimedia Dude blog by App Genius If you shoot any kind of video using a DSLR (like a Nikon or Read More The post Learn How to Sync Audio and Video in Adobe Premiere Pro CC appeared first on Videoguys Blog.

Review Of Waves Greg Wells PianoCentric Plug-in

December 31, 2015, 06:33 AM

https://www.youtube.com/watch?v=0KXxN_IdhCk

Russ takes a look at the Greg Waves PianoCentric plugin, designed to help those mixing piano in pop tracks. Having worked with Greg Wells at Abbey Road studios and seen him record and mix pianos first hand, Russ decides to check it out.

Burwell on Composing Emotions

December 30, 2015, 05:25 PM

http://moveablefest.com/moveable_fest/2015/12/cart...

Not long after he joined Twitter for what seemed to be the express purpose of enthusing about his favorite things, Guillermo Del Toro dropped some kind words about Carter Burwell, citing him as one of his favorite composers before concisely summing up why: “The voice of the Coens. Majestic Melancholy. Music of images and moods. Sublime defeat and crushed hopes.”

Contender – Supervising Sound Editor Glenn Freem

December 30, 2015, 01:58 PM

http://www.btlnews.com/awards/contender-supervisin...

Directed by John Crowley, Brooklyn is an artfully voiced narrative of Ellis (Saoirse Ronan), an Irish immigrant from the small, cobblestone town of Enniscorthy, Ireland as she finds her way through 1950s New York City. Having left her mother (Jane Brennan) and sister Rose (Fiona Glascott) for the attraction of America, her isolated, homesick outlook swiftly vanishes after meeting a kind-hearted Italian (Emory Cohen). After a tragedy strikes home, Eilis must decide between her new life and th...

Behind the Title: Slick Sounds’ David Van Slyke

December 28, 2015, 06:00 PM

http://postperspective.com/behind-title-slick-soun...

NAME: David F. Van Slyke COMPANY: Slick Sounds Media Partners CAN YOU DESCRIBE YOUR COMPANY? Slick Sounds is a boutique sound design company that handles post-production audio — from dailies to the delivery of the DCP (Digital Cinema Package). We creatively apply the craft, especially the art of telling stories with sound. We partner with directors, picture editors, color timers, composers and mix stages. WHAT’S YOUR JOB TITLE? Lead Sound Designer and Re-Recording Mixer WHAT WOULD ...

Avid VENUE S6L

December 28, 2015, 06:19 AM

http://www.audiomediainternational.com/live/review...

It’s now been over ten years since the launch of the VENUE platform and those original Digidesign consoles (Profile, SC48 and D-Show) are still common sights at venues and festivals around the world. Now we have the new VENUE S6L, which utilises some of the technology from the S6 and runs the latest version of the VENUE software, but is it a worthy successor to the much-loved originals?

The Sounds of Star Wars: The Force Awakens

December 22, 2015, 10:26 AM

http://www.avidblogs.com/sounds-of-star-wars-the-f...

The article The Sounds of Star Wars: The Force Awakens by Anthony Gordon appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..

Interview with Pro Sound Effects

December 22, 2015, 06:48 AM

http://www.aotg.com/index.php?page=cuttingroom_182

Gordon sits down with Jeremy Siegel (Licensing Specialist) and David Forshee (Library Specialist) to discuss the new Freelancer Program at Pro Sound Effects. They begin there, but slowly move into ambisonics and exploring sounds and recording for sound libraries.

iZotope & Mac OS X 10.11 El Capitan Audio Plug-in

December 21, 2015, 03:13 PM

https://www.izotope.com/en/community/blog/product-...

We’re happy to announce official support for Apple’s OS X 10.11 El Capitan. Thank you for your patience as we ensured a smooth-sailing product experience on the new operating system. After you follow the relevant instructions below for the products you own—and if all your software by other vendors is OS X 10.11 compatible!—you are safe to update your operating system.

Review: Nearfield Audio Monitors Group Test

December 21, 2015, 05:37 AM

http://www.definitionmagazine.com/journal/2015/12/...

Back in the day, editors cut picture looking at a blurry, over-compressed image. Often it seemed that 4 by 3 wasn’t just the aspect ratio – it was the number of pixels. As far as sound went, you could get the dialogue about right, and maybe add some music, but that was it.

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