It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 25, 2016, 10:36 AM
http://www.slashfilm.com/cinderella-visual-effects...
The visual effects company MPC has just unveiled a Cinderella visual effects reel, showing off the incredible, detailed landscapes that make up the kingdom at the center of the story as well as the digital animals and their transformation. It’s even more impressive then you think.
February 24, 2016, 05:29 AM
http://www.artofvfx.com/vue-cinemas-ident-behing-t...
The Mill presents their VFX work for Vue Cinemas Ident in this cool behind the scenes video...
February 23, 2016, 10:28 AM
http://angietaylor.co.uk/expression-language-tutor...
Expression language tutorial – taught by Angie Taylor as part of the After Effects Expressions for Premiere Pro Editors The post Expression language tutorial appeared first on Angie Taylor - Motion graphic design.
February 23, 2016, 06:44 AM
http://www.btlnews.com/community/visual-effects-so...
The Visual Effects Society (VES) announced its 2016 board of directors officers. The officers, who comprise the VES board executive committee, were elected at the January 2016 board meeting. The officers include Mike Chambers, who was re-elected as board chair. The post Visual Effects Society Announces its 2016 Board of Directors appeared first on Below the Line.
February 23, 2016, 06:42 AM
http://blogs.adobe.com/aftereffects/2016/02/hello-...
Hello, Victoria Nece here. I’m the new Product Manager for Motion Graphics and Visual Effects at Adobe, taking over for Todd Kopriva. Todd’s been a tremendous resource and a strong advocate for After Effects and this whole community. We wish him well on his new adventures.
February 22, 2016, 05:08 PM
http://www.studiodaily.com/2016/02/ilm-vfx-supe-pa...
To say that director J. J. Abrams’ film Star Wars: Episode VII — The Force Awakens is a success is an understatement. The film has earned more than $2 billion to date and now ranks third behind Avatar and Titanic for … more » The post ILM VFX Supe Patrick Tubach on Star Wars: The Force Awakens appeared first on Studio Daily.
February 19, 2016, 06:31 AM
http://www.animationmagazine.net/events/kaleidosco...
Virtual reality creators’ community Kaleidoscope announces the 2016 Kaleidoscope World Tour — a multi-city international tour showcasing the best in virtual reality film, art and immersive experiences. Following the success of last year’s inaugural tour, the 2016 edition will kick off March 1 in Paris, France and travel to nine additional cities through April 12.
February 16, 2016, 10:12 AM
http://wistia.com/blog/template-for-screencast-vid...
At Wistia, we're used to shooting videos about software. We've tackled issues like glare on screens and editing screencasts, and we've tried our best to make otherwise boring videos more visually engaging.
February 16, 2016, 09:05 AM
http://philpott.ca/rodeo-fx-brings-insight-and-ent...
Rodeo FX worked with Jonathan Rothbart, VFX supervisor, and Tim Miller, director, to create the grotesque look and feel of the Ryan Reynold's "Deadpool".
#rodeo fx#deadpoolFebruary 16, 2016, 06:03 AM
https://www.fxguide.com/featured/deep-inside-deadp...
Director Tim Miller’s first feature Deadpool hasn’t just raised the bar for subversive, fourth-wall-breaking comic book films, it also pushes the art in terms of visual effects. From completely synthetic environments for the freeway chase, to a fully CG dialogue-delivering metallic character in Colossus, to a unique approach to Deadpool’s facial animation and an unforgettable frozen moment opening title sequence...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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