It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 22, 2015, 01:22 PM
http://news.doddleme.com/blogs/post-production/hit...
When it comes to offering visual effects for science fiction movies (especially one in particular from a galaxy far, far away), the Force is strong with HitFilm. That’s because they’re offering free plugins for Star Wars style special effects for their free version of HitFilm 3 Express, and if you like what you see, there’s more where that came from, sweetheart. (Have you seen The Force Awakens yet?!)
December 22, 2015, 01:22 PM
http://www.dailymotion.com/video/x3j0bvw_terminato...
Behind the scenes of TERMINATOR GENISYS with Arnold Schwarzenegger.
December 22, 2015, 01:22 PM
http://cgi.tutsplus.com/tutorials/how-to-create-36...
In this tutorial I'll show you how to create a 360° Video in After Effects using the plugin SkyBox Studio by Mettle. Everyone can follow along with this tutorial by downloading a free trial of SkyBox Studio plugin.
December 21, 2015, 08:34 PM
http://www.ssninsider.com/awards-2016-vfx-contende...
The list includes films that were mostly expected to be there, including Ant-Man, Ex Machina, Jurassic World, Mad Max: Fury Road, The Martian and Star Wars: The Force Awakens, while such films as Bridge of Spies, Chappie, Everest, Furious Seven and The Hunger Games: Mockingjay – Part 2 all failed to make the cut. (IC)
December 21, 2015, 08:34 PM
http://cineblur.com/dead-pixel-fixer/?utm_source=f...
When you apply the effect “Dead Pixel Fixer,” there are 2 adjustable parameters in your effects panel. Pixel target and pixel size.
December 21, 2015, 10:20 AM
http://lesterbanks.com/2015/12/bb-8-in-london-maki...
GetWrightOnIt’s Star Wars themed short film saw BB-8 exploring London’s landmarks and visiting ILM’s London studio. Sharing the process on their blog, we can see a run down of the pre-production, shooting and post-production that went in to produce the film, including the video above that demonstrates the workflow bringing a single shot from start to […] The Post BB-8 in London Making Of originally appeared and published on %%BLOGLINK%,by Dean Wright
December 21, 2015, 10:20 AM
http://www.digital-district.fr/en/projects/ubisoft...
Really nice VFX Breakdown by Digital District about their work on TOM CLANCY’S THE DIVISION – “Silent Night”
December 21, 2015, 10:19 AM
http://www.cgmeetup.net/home/star-wars-london-vfx-...
Garth Lee – A VFX breakdown of a video I made at Scorch London to celebrate the new Star Wars film and premiere.
December 21, 2015, 05:37 AM
http://www.3dvf.com/actualite-15441-vfx-festival-e...
From 23 to 25 February, the company Escape Studio will host a new edition of its event dedicated to professionals in the game, animation and special effects: the VFX Festival.
December 18, 2015, 05:44 PM
http://www.content-technology.com/asiapacificnews/...
Since 1992, Cutting Edge has built a string of studios that employs over 150 artists and reaches from Brisbane to Sydney. Like most professional shops they can do it all: films (Predestination, The Age of Adaline); commercials and TV series, including Powers, PlayStation Network’s first scripted show that’s based on Marvel’s graphic novel series. What they couldn’t do was run all render requests off a single dispatcher, and the minutes kept adding up.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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