It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 18, 2015, 05:43 PM
http://www.awn.com/news/axisvfx-delivers-spectacul...
axisVFX completes more than 120 visual effects shots for the Christmas day broadcast of ‘Doctor Who’ on BBC One.
December 18, 2015, 07:13 AM
http://www.3dvf.com/actualite-15429-cosa-vfx-retou...
The studio CoSA VFX video talks about his work on the series Gotham, launched last year. This is a case study for The Foundry: MODO, MARI NUKE and are mentioned several times.
December 17, 2015, 01:13 PM
http://www.provideocoalition.com/kids-build-vfx-co...
This is interesting, two boys, Ben and Alex, 11 and 13 respectively, are making, and selling, their own Star Wars inspired plug-ins, with the help of their dad who’s a developer. They’ve got light sabers and blasters, as well as some “space wipes”. The plug-ins run in FCP, Motion, AE and Premiere. I’m posting this and hope the message, via modulated tachyon pulse, can travel back in time thirty years to let my 13 year-old self know that in the future, kids will not only make their...
December 17, 2015, 10:39 AM
http://videoandfilmmaker.com/wp/index.php/news/888...
long time ago, in a galaxy not unlike this one – actually it was this galaxy and it wasn’t exactly that long ago – a little film called Star Wars was released and it changed the way visual effects (and even sound effects) are made.
December 16, 2015, 01:10 PM
http://tracking.feedpress.it/link/9766/2186834
Find just the right look for your project with the new "Big Three" Video Filters Collections. Filters 3 Spectra, Filters 3 Chroma and Filters 3 Mythos offer 7 effects in each with more than 70 presets to help you quickly get the look you need. Let's take a look at what each Filters volume has to offer...
December 16, 2015, 01:09 PM
http://lesterbanks.com/2015/12/pouring-viscous-liq...
Dusan Marjanovic walks through working with creating a pouring effect with Viscous liquids in RealFlow. The Post Pouring Viscous Liquids With RealFlow originally appeared and published on %%BLOGLINK%,by lesterbanks
December 16, 2015, 10:18 AM
http://lesterbanks.com/2015/12/working-with-adobe-...
Sean Frangella shares an in-depth look at working with Adobe Fuse and Cinema 4D The Post Working With Adobe Fuse and Cinema 4D & Photoshop originally appeared and published on %%BLOGLINK%,by lesterbanks
December 16, 2015, 10:17 AM
http://lesterbanks.com/2015/12/working-with-adobe-...
With the latest release of Adobe Creative Cloud, Flash was nowhere to be seen, but a new preview took the spotlight. Adobe Fuse is a new desktop application, with a cloud component that will allow you to create, dress, and animate 3D characters to place them in your work.
December 15, 2015, 05:14 PM
http://www.creativeplanetnetwork.com/news/shoot/wh...
Colorist Robbie Carman enlists the help of two experts to explain the evolving technology of high dynamic range.
December 15, 2015, 05:14 PM
http://www.awn.com/news/cantina-creative-fires-vfx...
Acclaimed 3D toolset MAXON Cinema 4D delivers powerful capabilities for key hologram sequences in blockbuster sci-fi film finale.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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