It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 23, 2012, 11:19 AM
http://library.creativecow.net/devis_andrew/Premie...
The timecode effect is often used to generate lower quality versions of footage with timecode 'burnt in' so that producers can give exact times for specific edits and selections. In this tutorial, Andrew Devis shows how to use the 'Timecode' effect to generate timecode for a sequence and to show both media and clip timecodes for a piece of footage in the sequence.
#timecode#adobe#cs6#premiere pro#nle#burn inDecember 23, 2012, 11:16 AM
http://library.creativecow.net/devis_andrew/Premie...
In this tutorial, Andrew Devis shows how to use the Echo effect and goes through its settings showing how to get the best out of this powerful effect. Andrew also talks a little about filming with the aim of using the Echo effect on the final product.
#adobe#cs6#premiere pro#nle#echo effectsDecember 23, 2012, 11:15 AM
http://library.creativecow.net/devis_andrew/Premie...
The 'Posterize Time' effect can be used to set a frame rate for a piece of footage or a nested sequence. However, in this tutorial, Andrew Devis shows how to use it as a special effect to create dramatic looks for your footage or to give the impression that the footage was taken on an older camera which worked at a different (usually lower) frame rate.
#adobe#cs6#premiere pro#nle#posterize timeDecember 23, 2012, 11:14 AM
http://library.creativecow.net/devis_andrew/Premie...
Time remapping is hands-down the most powerful time changing effect in Premiere Pro and also great fun to work with once you know how to use it. In this tutorial Andrew Devis shows how to vary the time of a clip, how to ease that change, how to ease into a hold keyframe and then ease back out again.
#adobe#cs6#premiere pro#nle#time remappingDecember 23, 2012, 11:12 AM
http://library.creativecow.net/devis_andrew/Premie...
In this tutorial, Andrew Devis shows another of the time options inside of Premiere Pro (having previously shown the rate-stretch tool in an earlier tutorial). Starting with the Speed/Duration option Andrew goes through the various ways to apply it and the advantages and limitations that it has.
#adobe#cs6#premiere pro#nle#speed#durationDecember 23, 2012, 11:09 AM
http://library.creativecow.net/devis_andrew/Premie...
In this tutorial, Andrew Devis shows how to use the Track Matte Key effect to pixel out a face to keep a character anonymous. Andrew also shows how to use the circle effect with fast blur to create a soft matte to use with the Track Matte Key effect.
#adobe#cs6#premiere pro#nle#track matteDecember 23, 2012, 11:08 AM
http://library.creativecow.net/devis_andrew/Premie...
The Ultra Key in Premiere Pro is a way of quickly and efficiently 'Green/Blue Screening' or 'Chroma Keying' footage elements shot against a colored background. In this second tutorial, Andrew Devis goes on to show how to use the Ultra Key settings and how you can use presets to help understand how certain parameters work.
#adobe#cs6#premiere pro#nle#track matteDecember 23, 2012, 11:06 AM
http://library.creativecow.net/devis_andrew/Premie...
The Ultra Key in Premiere Pro is a way of quickly and efficiently 'Green/Blue `Screening' or 'Chroma Keying' footage elements shot against a colored background. In this tutorial, Andrew Devis shows a slightly more advanced way to set up to use the Ultra Key in Premiere Pro which involves matting out areas of the footage that either have items to be removed or have nothing but the chroma color in them (i.e. no action in those areas).
#adobe#cs6#premiere pro#nle#track matteDecember 23, 2012, 11:03 AM
http://library.creativecow.net/devis_andrew/Premie...
Although there are some obvious ways to create black and white footage in Premiere Pro, the usual approaches can often leave a lot to be desired in terms of creativity and artistic influence. So, in this tutorial, Andrew Devis shows how to use an little known effect to make stunning and creative black and white productions in Premiere Pro which can add a great deal to the artistic credibility of your work.
#adobe#cs6#premiere pro#nle#black and whiteDecember 23, 2012, 11:01 AM
http://library.creativecow.net/devis_andrew/Premie...
In this tutorial, Andrew Devis goes through an under-used effect in Premiere Pro which can be a real shot-saver by giving you the option to completely re-light a scene with multiple lights if needed. In this tutorial, Andrew shows how to use the effect to create a volumetric lighting effect for one shot and then to save a shot which suffers from being taken in a very bright environment and lastly a shot what has issues with being too dark in places.
#adobe#cs6#premiere pro#nle#exposire#lighting effectsDaniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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