It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 23, 2012, 11:09 AM
http://library.creativecow.net/devis_andrew/Premie...
In this tutorial, Andrew Devis shows how to use the Track Matte Key effect to pixel out a face to keep a character anonymous. Andrew also shows how to use the circle effect with fast blur to create a soft matte to use with the Track Matte Key effect.
#adobe#cs6#premiere pro#nle#track matteDecember 23, 2012, 11:08 AM
http://library.creativecow.net/devis_andrew/Premie...
The Ultra Key in Premiere Pro is a way of quickly and efficiently 'Green/Blue Screening' or 'Chroma Keying' footage elements shot against a colored background. In this second tutorial, Andrew Devis goes on to show how to use the Ultra Key settings and how you can use presets to help understand how certain parameters work.
#adobe#cs6#premiere pro#nle#track matteDecember 23, 2012, 11:06 AM
http://library.creativecow.net/devis_andrew/Premie...
The Ultra Key in Premiere Pro is a way of quickly and efficiently 'Green/Blue `Screening' or 'Chroma Keying' footage elements shot against a colored background. In this tutorial, Andrew Devis shows a slightly more advanced way to set up to use the Ultra Key in Premiere Pro which involves matting out areas of the footage that either have items to be removed or have nothing but the chroma color in them (i.e. no action in those areas).
#adobe#cs6#premiere pro#nle#track matteNovember 27, 2012, 07:59 AM
http://feedproxy.google.com/~r/EditingWhiz/~3/A8FH...
It's that moment when you realize your workflow sucks. That instance when you look at your comp and realize you went about it all wrong. The epiphany when you realize you should have said something different in a production meeting. A Track Matte Moment is that moment of post-project regret when it hits you that...
#podcast#track matteNovember 17, 2012, 08:55 PM
http://kyleesportfolio.com/blog/?p=748
I've written before about our new podcast, The Track Matte Moment, but it’s worth mentioning that it's now on iTunes! Our latest episode is about Evan Pease, an editor in North Carolina. He confesses his silly After Effects mistake and...
#itunes#track matteDaniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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