It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 10, 2018, 06:42 PM
https://www.aotg.com/utoka-signs-motion-designer-charlie-erholm/
UTÖKA CCO, Ed Dye, has announced that motion designer Charlie Erholm has joined his recently launched Atlanta-based creative agency. The design-driven boutique adds Erholm to a multi-disciplined team with a collaborative approach to developing visual identity-driven brand strategies and concepts that provide direction for the crafting of compelling deliverables across multiple platforms.
#commercials#utoka#creative agency#signing#motion designer#charlie erholm#ed dyFebruary 25, 2017, 10:04 AM
https://www.aotg.com/he-colonie-cuts-mcdonalds-spot-my-place-fo/
The Agency Teams Up with STORY Director Blair Hayes and The Colonie Editor Bob Ackerman for A Spot That Showcases a Series of Real-Life Scenarios To Deliver A Message About Community
#editing#broadcast#commercials#the colonie#bob ackermanFebruary 25, 2017, 10:00 AM
https://www.aotg.com/the-colonie-cuts-mcdonalds-spot-my-place/
The Agency Teams Up with STORY Director Blair Hayes and The Colonie Editor Bob Ackerman for A Spot That Showcases a Series of Real-Life Scenarios To Deliver A Message About Community
#editing#broadcast#commercials#motion design#the colonie#bob ackermanJanuary 6, 2016, 03:12 AM
https://www.aotg.com/zero-vfx-expands-with-opening-of-la-office/
Leading visual effects and creative studio ZERO VFX has opened a new 5,000-square-foot office in Venice Beach, California, expanding on ZERO’s long-term Boston headquarters. This new bi-coastal approach to operations will enable ZERO to continue delivering high-end visual effects to feature films such as Southpaw and Black Mass, while also continuing to develop in the commercials sector.
#vfx#film#la#commercials#zero vfx#advertisingNovember 24, 2015, 10:18 PM
https://www.aotg.com/the-colonies-editors-designs-take-the-spotlig/
The Colonie's partners' - creative editors Brian Sepanik and Bob Ackerman and executive producer Mary Caddy - shared commitment to a talent-driven approach to growing their business model has served it well. A complement of skill sets, aesthetic sensibilities, and a passion for experimenting and pushing boundaries sets the company’s editors, assistant editors, graphic designers, visual effects artists - and even its interns - apart from the crowd.
#postproduction#awards#finishing#visual fx#editorial#commercials#the colonie#filmsOctober 8, 2015, 06:11 PM
https://www.aotg.com/the-colonie-provides-editingcgi-for-grubhub-spot/
The Colonie’s editing, visual FX and design capabilities were recently tapped by Tandem Inc. for a comedic live-action/CGI spot for GrubHub. The :30 commercial, entitled ‘Winner Picks Lunch,’ pits two co-workers against each other in fast-paced game of ping pong with high stakes – the winner decides what they will order for lunch. The male co-worker suggests a different type of food with each lob, only to have his suggestions shot down by his colleague as she returns the ball.
#editing#digital#post production#broadcast#visual fx#motion graphics#commercialsFebruary 13, 2015, 07:49 PM
https://www.aotg.com/hpa-becomes-the-hollywood-professional-alliance/
Move underlines role as the leading trade organization for industry professionals across the content production, finishing, distribution through archive lifecycle
#production#post production#broadcast#film industry#commercials#entertainment technology#digital mediaDaniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2024 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.