To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

PixelTools: powerful time-saving presets for DaVin

July 19, 2019, 02:08 PM

https://www.claytonasbury.com/blog/pixeltools-colo...

We all want to save time when color grading in Davinci Resolve and PixelTools PowerGrades Collection lets you create unique and adjustable looks quickly.

#color grading#davinci resolve#post production#filmmaking
Noam Kroll Colour Grading Masterclass Reviewed

August 24, 2018, 03:28 AM

https://jonnyelwyn.co.uk/film-and-video-editing/no...

I chat to LA based filmmaker NoamKroll.com about finishing his first feature film, review his new DaVinci Resolve creative looks colour grading masterclass and talk about why his LUT packs are some of the best I've seen.

#filmmaking#luts#colour grading#noam kroll
Red Giant 24-Hour Flash Sale – 25% Off Magic Bul

July 18, 2017, 10:25 AM

https://www.aotg.com/red-giant-24-hour-flash-sale-25-off-magic-bul/

Today, for 24 hours only, Red Giant will be running a Flash Sale, offering discounts on Magic Bullet 13, the ultimate color correction suite, along with its upgraded video noise removal tool, Magic Bullet Denoiser III. For the next 24 hours, from 10am PDT (1pm EDT) on Tuesday, July 18th to 10am PDT (1pm EDT) on Wednesday, July 19th, Magic Bullet Suite 13 and Denoiser III will be 25% off in the redgiant.com store.

#post production#filmmaking#sale#color correction plugins
New Sigma Cine and Global Vision Lenses Earn Major

May 5, 2017, 07:23 AM

https://www.sigmaphoto.com/article/sigma-cine-sgv-...

Honored with two TIPA Awards and the Digital Imaging Reporter 2017 Retailers' Choice Award for its still photography lenses; receives StudioDaily Prime, NewBay Best of Show and ProductionHub Excellence Awards for its breakthrough Cine lenses

#production#nab#filmmaking#cameras#sigma#cine lenses
Sigma Announces Cine High Speed Zoom Lens Pricing

October 20, 2016, 08:39 AM

https://www.sigmaphoto.com/article/sigma-cine-high...

Cine High Speed Zoom 18-35mm T2 and 50-100mm T2 lenses begin shipping on December 9 for a retail price of $3999.00 USD

#filmmaking#lenses#cinematography#television#movies
Pocket Cinema Cameras Shoot Whiskey Tango Foxtrot

April 6, 2016, 10:21 AM

https://www.aotg.com/pocket-cinema-cameras-shoot-whiskey-tango-foxtrot/

Blackmagic Design today announced that DP Xavier Grobet used several Pocket Cinema Cameras to shoot select scenes for Paramount Pictures’ comedy “Whiskey Tango Foxtrot.” Grobet required a small form factor camera that delivered cinematic images for the film’s in-vehicle shots and several actions scenes.

#filmmaking#camera#actioncam
“The Arbalest” Uses Blackmagic Cinema Camera

March 17, 2016, 01:43 PM

https://www.aotg.com/the-arbalest-uses-blackmagic-cinema-camera/

Blackmagic Design announced today that the 2016 SXSW debut film “The Arbalest” was shot using a Blackmagic Cinema Camera. Captured by director Adam Pinney and DP Hugh Braselton, the film was also color graded with DaVinci Resolve 12 Studio by colorist David Torcivia.

#color grading#post production#filmmaking
DaVinci Resolve Studio Used on "Mustang"

March 3, 2016, 01:31 PM

https://www.aotg.com/davinci-resolve-studio-used-on-mustang/

Blackmagic Design today announced that DaVinci Resolve Studio was used to complete post production, including the final DI and online edit, on this year’s French Oscar nominee for Best Foreign Language Film, “Mustang.”

#editing#color grading#post production#filmmaking#color correction
Blackmagic Design Products Used on Oscar Films

February 17, 2016, 04:04 PM

https://www.aotg.com/blackmagic-design-products-used-on-oscar-films/

Blackmagic Design would like to congratulate the 2016 Oscar-nominated films that used an array of Blackmagic Design products, such as Blackmagic Cinema Cameras on “Mad Max: Fury Road,” as well as DaVinci Resolve Studio and Fusion Studio on “The Martian,” among others. Hosted by the Academy of Motion Picture Arts and Sciences, the Oscars recognize cinematic achievements in the film industry, and Blackmagic Design is honored that its products were chosen to help bring these stunning films ...

#color grading#post production#filmmaking#camera

© 2007-2024 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.